On view now through April 12, School Photos and Their Afterlives sets an array of school photos from across photography's histories and geographies in dialogue with works by contemporary artists who have reframed them.
In 1934, in Siedlce, Poland, a group of young girls are studying for their Matura—the centralized state exams that would certify their high school graduation.
In The Witness, Mirta Kupferminc reverses the gaze of Nazi amateur photographer Walter Genewein, who took over six hundred 35mm color slides in the Lódz ghetto between 1940 and 1