Museum Collecting 101
EACH YEAR, DARTMOUTH STUDENTS SELECT WORKS TO ENTER THE MUSEUM'S PERMANENT COLLECTION.
Through Museum Collecting 101, a non-curricular course offered during either winter or spring terms, Dartmouth students from all backgrounds and majors take part in an exciting and important aspect of the museum: acquisitions. For several weeks, a group of up to twelve students meets weekly with curatorial and education staff in two-hour sessions to learn about the museum's collections and acquisitions process. Students are introduced to a selection of artists and their work, which they discuss in depth, especially in terms of the potential for interdisciplinary curricular connections. Students choose an artist, consider several potential purchases, and vote to select one work. Past participants have sometimes had the opportunity to travel to New York or Boston to visit art dealers and examine the works in person.
The 2023 session of Museum Collecting 101 is now closed and we are no longer accepting applications.
Applications for the spring term 2024 session will open in mid-to-late March.
THE PROGRAM: The opportunity to meet with the Hood's director and curators and be introduced to the museum's photography collection. You'll discuss the criteria curators use to acquire works of art for a museum collection and review the work of several artists. You'll travel to New York to view photographs at dealers. Finally, you'll select a photograph for the Hood to add to its collection.
WHEN: Time: Monday afternoons, 3:30-5:00 (or 5:30pm)
Dates: April 10, April 17, April 22-23, May 1, and May 8
(Note that class will run to 5:30 on May 1 and May 8)
Saturday and Sunday April 22-23, trip to New York City
WHERE: Meeting in-person in the Bernstein Center for Object Study at the Hood Museum of Art.
THE TYPE OF ART: This year will center around the theme of landscape photography with artists drawn from across the globe. You will work closely with the Hood's associate curator of photography, Alisa Swindell.
TRIP TO NEW YORK CITY: The class will leave Hanover early on a Saturday and return Sunday evening the next day. While in New York the class will visit photography dealers among other activities. Attending the trip is required for participation in the program.
Transportation, accommodations, and a meal stipend will be covered by the museum.
TO SIGN UP: For Dartmouth students only. FREE. No previous art knowledge or experience necessary. All classes and majors welcome.
Applications for Museum Collecting 101 are open on Monday, March 27, 2023, and will not be accepted before that date.
Blitz "Look at the Hood" and tell us your name, year, major, and briefly why you would like to participate. Applications are accepted on a rolling basis.
Space is limited and participation at all five sessions is required. Priority will be given to students who have not previously participated in a Museum Collecting 101 program at the Hood.
QUESTIONS? Blitz Look at the Hood
Museum Collecting 101 has been dedicated mainly to strengthening the Hood Museum of Art's contemporary photography collection. Since the program was founded in 2002, the Hood has acquired photographs from a wide range of artists, representing various subjects. Each year, Hood staff determine a specific area of contemporary photography for students to focus on, such as Latin American photography, female photographers, digitally altered works, Asian photography, and documentary photography.
Artists whose work students have selected for the museum to purchase include:
- Nobuyoshi Araki
- Daniel Beltra
- Jules de Bruycker
- J Henry Fair
- Tierney Gearon
- Maïmouna Guerresi
- Miskha Henner
- James Karales
- Atta Kim
- O. Winston Link
- Loretta Lux
- Aida Muluneh
- Mario Cravo Neto
- Zanele Muholi
- Daniela Rossell
- Sebastião Salgado
Leaving a Legacy
Museum Collecting 101 is a rich and vibrant program that has allowed undergraduate students to leave a legacy that extends far beyond their four years on campus. The names of all of the students who participate in the program are included in the credit line for the work of art they selected for purchase, and the works they have chosen are frequently used for teaching and exhibitions.