Brasil (Hand, Serra Pelada)
Sebastião Salgado, Brazilian, born 1944
1986
Gelatin silver print
Image: 11 7/16 × 17 5/16 in. (29 × 44 cm)
Sheet: 16 × 20 in. (40.6 × 50.8 cm)
Hood Museum of Art, Dartmouth: Purchased through the Fund for Contemporary Photography. Selected by participants in the seminar "Museum Collecting 101": Betty Baez-Melo, Class of 2005, Gabriela Jaramillo, Class of 2004, Marilyn Nyanteh, Class of 2005, Lia Rothstein, Holly Shaffer, Class of 2003, and Yin Zhao, Class of 2006
PH.2002.59
Geography
Place Made: Brazil, South America
Period
20th century
Object Name
Photograph
Research Area
Photograph
Not on view
Inscriptions
Embossed, lower left: SEBASTIAO SALGADO; signed and inscribed, on reverse, in graphite, S.S.[illeg.] / BRASIL-1986
Course History
ENVS 7, Ecopsychology, Terry Osborne, Spring 2012
ENVS 7, Ecopsychology, Terry Osborne, Winter 2013
ENVS 7, Ecopsychology, Terry Osborne, Winter 2014
WRIT 5, Human Rights, Global to Local, Peggy Baum, Winter 2014
ENVS 7.3, Ecopsychology, Terry Osborne, Winter 2015
PORT I, Portugese 1, Mauricio Sellmann Soares de Oliveria, Summer 2019
GOVT 49.05, Protest and Parties in Latin America, Lisa Baldez, Fall 2019
ANTH 55, Anthropology of Global Health, Anne Sosin, Spring 2021
ANTH 55.01, Anthropology of Global Health, Anne Sosin, Spring 2022
SPAN 65.15, Cameras and Crisis, Martina Broner, Spring 2022
ANTH 55.01, Anthropology of Global Health, Anne Sosin, Fall 2022
Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Spring 2023
Exhibition History
A Space for Dialogue 92, Consent: Complicating Agency in Photography, Ashley Dotson, Class of 2018, Conroy Intern, Gina Campanelli, Class of 2018, Class of 1954 Intern, Kimberly Yu, Class of 2018, Homma Family Intern, Marie-Therese Cummings, Class of 2018, Levinson Intern, Tess McGuinness, Class of 2018, Conroy Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26-May 5, 2019.
Art and/as Violence, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 12, 2006-March 11, 2007.
Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 14-April 13, 2003.
Focus on Photography, Works from 1950 to Today, Friends and Owen Robertson Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 13-March 8, 2009.
Virtual Space for Dialogue, 2018, The Labor of Art: from Sol LeWitt to the Guerrilla Girls, Kimberly Yu, Class of 2018, Homma Family Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. https://www.kyu.vsfd.hoodmuseum.dartmouth.edu/
Publication History
Emily Shubert Burke, Focus on Photography, Works for 1950 to Today, Hanover, New Hampshire: Trustees of Dartmouth College, 2009, p. 14, no. 25.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009, p.203, no.251.
Ashley Dotson, Class of 2018, Conroy Intern, Gina Campanelli, Class of 2018, Class of 1954 Intern, Kimberly Yu, Class of 2018, Homma Family Intern, Marie-Therese Cummings, Class of 2018, Levinson Intern, Tess McGuinness, Class of 2018, Conroy Intern, A Space for Dialogue 92, Consent, Complicating Agency in Photography, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019.
Published References
Sebastiao Salgado, Sebastiao Salgado: workers, an archaeology of the industrial age, New York: Aperture, 1993, ill. p. 312-313.
Provenance
Robert Klein Gallery, Boston, Massachusetts; sold to present collection, 2002.
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