Brasil (Hand, Serra Pelada)

Sebastião Salgado, Brazilian, born 1944

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1986

Gelatin silver print

Image: 11 7/16 × 17 5/16 in. (29 × 44 cm)

Sheet: 16 × 20 in. (40.6 × 50.8 cm)

Hood Museum of Art, Dartmouth: Purchased through the Fund for Contemporary Photography. Selected by participants in the seminar "Museum Collecting 101": Betty Baez-Melo, Class of 2005, Gabriela Jaramillo, Class of 2004, Marilyn Nyanteh, Class of 2005, Lia Rothstein, Holly Shaffer, Class of 2003, and Yin Zhao, Class of 2006

PH.2002.59

Geography

Place Made: Brazil, South America

Period

20th century

Object Name

Photograph

Research Area

Photograph

Not on view

Inscriptions

Embossed, lower left: SEBASTIAO SALGADO; signed and inscribed, on reverse, in graphite, S.S.[illeg.] / BRASIL-1986

Course History

ENVS 7, Ecopsychology, Terry Osborne, Spring 2012

ENVS 7, Ecopsychology, Terry Osborne, Winter 2013

ENVS 7, Ecopsychology, Terry Osborne, Winter 2014

WRIT 5, Human Rights, Global to Local, Peggy Baum, Winter 2014

ENVS 7.3, Ecopsychology, Terry Osborne, Winter 2015

PORT I, Portugese 1, Mauricio Sellmann Soares de Oliveria, Summer 2019

GOVT 49.05, Protest and Parties in Latin America, Lisa Baldez, Fall 2019

ANTH 55, Anthropology of Global Health, Anne Sosin, Spring 2021

ANTH 55.01, Anthropology of Global Health, Anne Sosin, Spring 2022

SPAN 65.15, Cameras and Crisis, Martina Broner, Spring 2022

ANTH 55.01, Anthropology of Global Health, Anne Sosin, Fall 2022

Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Spring 2023

Geography 21.01/International Studies 18.01, Global Health and Society, Anne Sosin, Spring 2024

Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Fall 2023

Exhibition History

A Space for Dialogue 92, Consent: Complicating Agency in Photography, Ashley Dotson, Class of 2018, Conroy Intern, Gina Campanelli, Class of 2018, Class of 1954 Intern, Kimberly Yu, Class of 2018, Homma Family Intern, Marie-Therese Cummings, Class of 2018, Levinson Intern, Tess McGuinness, Class of 2018, Conroy Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26-May 5, 2019.

Art and/as Violence, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 12, 2006-March 11, 2007.

Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 14-April 13, 2003.

Focus on Photography, Works from 1950 to Today, Friends and Owen Robertson Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 13-March 8, 2009.

Virtual Space for Dialogue, 2018, The Labor of Art: from Sol LeWitt to the Guerrilla Girls, Kimberly Yu, Class of 2018, Homma Family Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. https://www.kyu.vsfd.hoodmuseum.dartmouth.edu/

Publication History

Emily Shubert Burke, Focus on Photography, Works for 1950 to Today, Hanover, New Hampshire: Trustees of Dartmouth College, 2009, p. 14, no. 25.

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009, p.203, no.251.

Ashley Dotson, Class of 2018, Conroy Intern, Gina Campanelli, Class of 2018, Class of 1954 Intern, Kimberly Yu, Class of 2018, Homma Family Intern, Marie-Therese Cummings, Class of 2018, Levinson Intern, Tess McGuinness, Class of 2018, Conroy Intern, A Space for Dialogue 92, Consent, Complicating Agency in Photography, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019.

Published References

Sebastiao Salgado, Sebastiao Salgado: workers, an archaeology of the industrial age, New York: Aperture, 1993, ill. p. 312-313.

Provenance

Robert Klein Gallery, Boston, Massachusetts; sold to present collection, 2002.

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