Bolas de Fuego: Culture and Conflict in Central America draws from the Hood Museum’s limited collections to tell stories of communities from the following countries: Belize, El Salvador, Guatemala, Nicaragua, and Panama.
Upcoming
Color holds many negative associations as something that has been constructed in opposition to whiteness. Whereas whiteness tends to symbolize purity, beauty, and refinement, color often represents the dirty, exotic, and primitive.
Examining pilgrimage through a cross-cultural lens, Journeys Beyond: Faces and Forms of Pilgrimage is curated by Emily Charland '19.
Maḏayin is the result of a seven-year collaboration between the Kluge-Ruhe Aboriginal Art Collection and Indigenous knowledge holders from the Buku-Larrŋgay Mulka Centre in northern Australia.
Ink Reimagined is a groundbreaking solo exhibition of contemporary Korean ink painter Park Dae Sung's works.
Nothing Gold Can Stay explores the universal yet nuanced human experience of grief. The disparate works in this exhibition showcase the range of emotions undergone while grieving, from sadness and confusion to celebration and fondness.