Examining pilgrimage through a cross-cultural lens, Journeys Beyond: Faces and Forms of Pilgrimage is curated by Emily Charland '19.
Upcoming
Maḏayin is the result of a seven-year collaboration between the Kluge-Ruhe Aboriginal Art Collection and Indigenous knowledge holders from the Buku-Larrŋgay Mulka Centre in northern Australia.
Ink Reimagined is a groundbreaking solo exhibition of contemporary Korean ink painter Park Dae Sung’s works.
This exhibition celebrates various ways that femme performance is depicted in photography. The subjects of these photos embrace femme as an aspect of their self-representation across genders, queer orientations, races, ethnicities, and time.
By dressing, posing, and digitally manipulating their bodies in specific ways, the artists in this exhibition comment on issues ranging from objectification and societal expectations to racial violence and the ethnographic gaze.
Nothing Gold Can Stay explores the universal yet nuanced human experience of grief. The disparate works in this exhibition showcase the range of emotions undergone while grieving, from sadness and confusion to celebration and fondness.