This exhibition showcases the versatility of ceramics and the many forms it takes through the hands of six Indigenous artists from various regions within what is now the United States.
On View
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Conceptualized by photographer Will Wilson, the collaborative project Critical Indigenous Photographic Exchange (CIPX) responds to the widely circulated ethnographic photography of Native Americans beginning at the turn of the twentieth century.
This two-gallery exhibition features abstract paintings on canvas and paper by this well-respected member of the Dartmouth studio art faculty, including new works created in 2018 and 2019 alongside slightly earlier works from her Immanence and Syncope series.
Institutional spaces have long privileged Euro-American narratives, which has had powerful, even dangerous consequences in our culture and society.
Nearly sixty years after Rev. Martin Luther King Jr.’s speech at Dartmouth, the Hood Museum of Art, together with the College, is reflecting on his legacy as an orator.
Drawing from the Hood Museum’s collection of Indigenous Australian art, Shifting the Lens features photography by Christian Thompson, Fiona Foley, Bindi Cole, Michael Cook, Darren Siwes, Tony Albert, and Michael Riley that interrogates and conveys the multidimensionality of