On View
Drawn from the Hood Museum's permanent collection, Immersive Worlds: Real and Imagined features artworks created after 1950 using a range of artistic processes, including assemblage, printmaking, painting, and ceramic and wood sculpture.
Sculptures surround us in our daily lives. Similarly, they enlivened private and public spaces in medieval and Renaissance Europe, contributing to presentations of identity, practices of devotion, and promotions of nationhood.
Nearly a decade in the making, The Grief of Almost, featuring four large-scale paintings and one monumental sculpture by artist Enrique Martínez Celaya, explores our drive toward self-understanding and desire to live a meaningful life.
Faces of Faith presents a focused look at a group of artists who engage in diverse forms of the Islamic visual tradition from the 11th century to the present.
