This exhibition showcases the versatility of ceramics and the many forms it takes through the hands of six Indigenous artists from various regions within what is now the United States.
On View
We invite you to explore art from cultures across the globe in the new and renovated galleries of the museum.
Curated by DAMLI Native American art interns Dillen Peace ’19 (Diné) and Hailee Brown ’20 (Diné), this exhibition draws from the Hood Museum’s permanent collections and creates a dialogue between historical, modern, and contemporary works.
Conceptualized by photographer Will Wilson, the collaborative project Critical Indigenous Photographic Exchange (CIPX) responds to the widely circulated ethnographic photography of Native Americans beginning at the turn of the twentieth century.
An array of school photos from across photography's histories and geographies is set in dialogue with works by contemporary artists who have reframed them.
This two-gallery exhibition features abstract paintings on canvas and paper by this well-respected member of the Dartmouth studio art faculty, including new works created in 2018 and 2019 alongside slightly earlier works from her Immanence and Syncope series.
Institutional spaces have long privileged Euro-American narratives, which has had powerful, even dangerous consequences in our culture and society.