On View
Nothing Gold Can Stay explores the universal yet nuanced human experience of grief. The disparate works in this exhibition showcase the range of emotions undergone while grieving, from sadness and confusion to celebration and fondness.
Ink Reimagined is a groundbreaking solo exhibition of contemporary Korean ink painter Park Dae Sung's works.
Laura Maes’s Spikes makes audible the sun’s energy as it changes over time. As solar panels attached to the exterior of the building gather energy, they complete the more than 100 handmade circuits mounted on the ceiling.
This exhibition celebrates various ways that femme performance is depicted in photography. The subjects of these photos embrace femme as an aspect of their self-representation across genders, queer orientations, races, ethnicities, and time.
By dressing, posing, and digitally manipulating their bodies in specific ways, the artists in this exhibition comment on issues ranging from objectification and societal expectations to racial violence and the ethnographic gaze.
Unbroken: Native American Ceramics, Sculpture, and Design draws from the Hood Museum’s permanent collections to create dialogue between historical, modern, and contemporary works made by Indigenous North American artists.