On View
Drawn from the Hood Museum’s permanent collection, Immersive Worlds: Real and Imagined features artworks created after 1950 using a range of artistic processes, including assemblage, printmaking, painting, and ceramic and wood sculpture.
Nearly a decade in the making, The Grief of Almost, featuring four large-scale paintings and one monumental sculpture by artist Enrique Martínez Celaya, explores our drive toward self-understanding and desire to live a meaningful life.
Sculptures surround us in our daily lives. Similarly, they enlivened private and public spaces in medieval and Renaissance Europe, contributing to presentations of identity, practices of devotion, and promotions of nationhood.
From the Field: Tracing Foodways through Art explores the idea of food as not only nourishment but also an expression of our lived and shared experiences.
[Un]Mapping examines the legacies of mapmaking and invites viewers to think about alternatives for visualizing our relationships to place.