Legacy for Learning: The Jane and Raphael Bernstein Collection comprises a series of exhibitions that individually and collectively celebrate the Bernstein family’s gifts to the collection of the Hood Museum of Art over four decades.
Trade Canoe: Forty Days and Forty Nights is part of Jaune Quick-to-See Smith’s well-known Trade Canoe series, which she began in 1992 as a critical response to quincentennial celebrations of Columbus’s arrival to the "New World." In her Trade Canoes and other large-scale pa
Conceptualized by photographer Will Wilson, the collaborative project Critical Indigenous Photographic Exchange (CIPX) responds to the widely circulated ethnographic photography of Native Americans beginning at the turn of the twentieth century.
This installation features highlights of the museum‘s European holdings in a range of media and genres. Often created to valorize, moralize, or inspire, the works originally appeared in a range of venues, from public institutions to private homes to religious buildings.