Untitled "Bondage (Kinbaku)"
Nobuyoshi Araki, Japanese, born 1940
negative 1988; print 2005
Gelatin silver print
Image: 12 11/16 × 16 1/16 in. (32.2 × 40.8 cm)
Sheet: 14 × 16 15/16 in. (35.6 × 43.1 cm)
Hood Museum of Art, Dartmouth: Purchased through the Anonymous Fund #144; Selected by participants in the seminar "Museum Collecting 101": Zachary P. Dorner, Class of 2008, Claire M. Dunning, Class of 2008, Celeste Griffin-Churchill, Class of 2007, Kathryn J. Hagy, Class of 2008, Gina Lee, Class of 2008, Lisa Moon, Class of 2008, Marissa A. Slany, Class of 2008, and Sherry S. Zhao, Class of 2007
2007.35
Geography
Place Made: Japan, East Asia, Asia
Period
20th century
Object Name
Photograph
Research Area
Photograph
Not on view
Inscriptions
Signed, in graphite, on reverse, lower center: Nobuyoshi / ARAKI
Course History
WRIT 5, Memoirs of Family, Ellen Rockmore, Fall 2013
WGST 10, Sex, Gender, and Society, Giavanna Munafo, Fall 2013
WGST 37.2, GEOG 41, Gender, Space and Islam, Jennifer Fluri, Fall 2013
NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013
ANTH 31, WGST 36, Gender in Cross-Cultural Perspective, Lauren Gulbas, Fall 2013
NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013
SART 30, Photography II, Fall 2013
SART 29, Photography I, Fall 2013
WGST 7, Masculinities Go In Between, Klaus Milich, Winter 2014
WGST 65.6, Radical Sexuality: Of Color, Wildness and Fabulosity, Eng-Beng Lim, Winter 2015
SART 17.9, The Photographer as Activist: Making Art Inspired by the Hood Museum's Collection , Virginia Beahan, Winter 2015
WGST 7.2 , Masculinities Go In Between, Klaus Milich, Winter 2015
WGST 65.7, Queer Popular Culture, Eng-Beng Lim, Summer 2015
SART 30, SART 75, Photography II and III, Virginia Beahan, Spring 2019
PHIL 23.01, Ethics and the Arts, Kenny Walden, Winter 2020
PHIL 22.01, Feminism and Philosophy, Susan Brison, Summer 2020
Philosophy 23.01, Ethics and the Arts, Kenneth Walden, Winter 2023
Exhibition History
A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Olivia Field, Class of 2015, Kathryn Conroy Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 18-August 30, 2015.
Araki, Anton Kern Gallery, New York, November 17, 2005-January 14, 2006.
Shadowplay: Transgressive Photography from the Hood Museum of Art, Owen Robertson Cheatham and Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 10-December 8, 2013.
Publication History
Olivia Field, A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2015, checklist no. 1.
Provenance
Anton Kern Gallery, New York, New York; sold to present collection, 2007.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu