The Drummer
Loretta Lux, German, born 1969
2004
Ilfochrome print
Image: 10 5/8 × 9 in. (27 × 22.8 cm)
Sheet: 13 3/8 × 11 13/16 in. (34 × 30 cm)
Hood Museum of Art, Dartmouth College: Purchased through the Fund for Contemporary Photography; Selected by participants in the seminar "Museum Collecting 101": Brittany M. Beth, Class of 2006, Jillian F. Rork, Class of 2006, Bradley G. Wolcott, Class of 2006, Mukund Bhaskar, Class of 2006, Jaime L. Padgett, Class of 2007, Jessica I. Hodin, Class of 2007, Rose M. McClendon, Class of 2006, Sophia C. D. Hutson, Class of 2006, Kelly E. Baker, Class of 2006, Teresa M. Lattanzio, Class of 2009, Selena Hadzibabic, Class of 2006, Erin R. Rumsey, Class of 2006
2006.34
Geography/Culture
Europe, Germany
Period
21st century
Object Name
Photograph
Classification
Photograph
Not on view
Inscription
Inscribed, in graphite, on reverse: Loretta Lux / 2004 / The Drummer / Museums Proof
Course History
SART 29, Photography I, Christina Seely, Spring 2019
German Club, Winter 2019
WGST 65.6, Radical Sexuality: Of Color, Wildness and Fabulosity, Eng-Beng Lim, Winter 2015
SART 30, Photography II, Virginia Beahan, Spring 2014
Exhibition History
Focus on Photography, Works from 1950 to Today, Friends and Owen Robertson Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 13-March 8, 2009.
A Space for Dialogue 76, Modern Melancholy, Jane Cavalier, Class of 2014, Class of 1954 Intern, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 30-May 26, 2013.
Publication History
Jane Cavalier, A Space for Dialogue 76, Modern Melancholy, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2013, checklist, no. 4.
Emily Shubert Burke, Focus on Photography, Works for 1950 to Today, Hanover, New Hampshire: Trustees of Dartmouth College, 2009, p. 16, no. 33.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.208, no.270.
Provenance
Yossi Milo Gallery, New York, New York; sold to present collection, 2006.
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.
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