The Hood Museum of Art's ambitious publishing program ranges from book-length studies of collection areas and Hood traveling exhibitions to numerous brochures and gallery guides, including our special A Space for Dialogue: Fresh Perspectives on the Permanent Collections from Dartmouth's Students series, now numbering over one hundred brochures. Our publications reflect the thriving scholarly community that intersects with the Hood collections on an ongoing basis, comprised of the curatorial staff, Dartmouth faculty and students, and colleagues and researchers from other institutions. The Hood has published over fifty books and numerous brochures in the past twenty years.
Print Archive
Explore various Hood Museum of Art publications.
Escaping the Moment: Seeing Time in Photography
Chanon (Kenji) Praepipatmongkol ’13, Mellon Special Project Curatorial Intern
Published by the Hood Museum of Art, Dartmouth College
2012, 2 pages
Supplementary PDF (299.6 KB)A Closer Look: Ngapa Jukurrpa—Puyurru (Water Dreaming at Puyurru) by Shorty Jangala Robertson
Oceania A Closer Look BrochuresVivian Ladd, Museum Educator, and Stephen W. Gilchrist, Curator of Indigenous Australian Art
2012, brochure
Supplementary PDF (3.61 MB)Nature Transformed: Edward Burtynsky’s Vermont Quarry Photographs in Context
Modern & Contemporary ArtUnited States & Canada Exhibition RelatedEdited by Juliette Bianco and Pieter Broucke, with contributions by Ilaria Brancoli Busdraghi, Kirsten Hoving, and Gary
Johnson
Distributed by University Press of New England
2012, 96 pages
paper, ISBN # 978-0-944722-43-5, $24.95
Men of Fire: José Clemente Orozco and Jackson Pollock
Mexico, Central, & South AmericaModern & Contemporary ArtNative AmericaUnited States & Canada Exhibition RelatedContributions by Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, and Stephen Polcari
Distributed by University Press of New England
2012, 120 pages
paper, ISBN # 978-0-944722-42-8, $24.95
Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art at the Hood Museum of Art
Modern & Contemporary ArtOceania Exhibition RelatedEdited by Stephen Gilchrist, with contributions by Sally Butler, John Carty, Jennifer Deger, Françoise Dussart, N. Bruce
Duthu, Stephen Gilchrist, Brian P. Kennedy, Howard Morphy, Will Owen, and Henry F. Skerritt
2012, 184 pages
paper, ISBN # 978-0-944722-44-2
Continuity of the Spiritual: Old and Modern Masters
Karysa Norris ’12, Class of 1954 Intern
Published by the Hood Museum of Art, Dartmouth College
2012, 2 pages
Supplementary PDF (418.62 KB)Center and Periphery: Cultural Hybridity in the Funerary Arts of the Roman Provinces
Amanda Manker ’12, Mellon Special Projects Intern, Yale University Art Gallery Collection-Sharing Initiative
Published by the Hood Museum of Art, Dartmouth College
2012, 2 pages
Supplementary PDF (320.32 KB)Published by the Hood Museum of Art, Dartmouth College
Autumn/Winter 2011–2012, 16 pages
Supplementary PDF (1.27 MB)Published by the Hood Museum of Art, Dartmouth College
Spring/Summer 2011, 16 pages
Supplementary PDF (2.03 MB)Native American Art at Dartmouth: Highlights from the Hood Museum of Art
Modern & Contemporary ArtNative AmericaUnited States & Canada Collection HighlightsExhibition RelatedWith contributions by George P. Horse Capture Sr., Joe D. Horse Capture, Joseph M. Sanchez, Colin G. Calloway, and Karen S. Miller, as well as Leah Bowe, Sherry Brydon, Heather Igloliorte, Miles R. Miller, Jennifer Neptune, Megan A. Smetzer, Joyce M. Szabo, and Jenny Tone-Pah-Hote
Publishing partner: University Press of New England
2011, 212 pages
paper, ISBN# 978-1-61168-033-1, $40.00