On View
Across Oceans: Indigenous Solidarity Throughout Pasifika and Beyond provides a glimpse into a diversity of contemporary Indigenous art based largely in cultures connected to the Pacific Ocean.
Sculptures surround us in our daily lives. Similarly, they enlivened private and public spaces in medieval and Renaissance Europe, contributing to presentations of identity, practices of devotion, and promotions of nationhood.
Drawn from the Hood Museum's permanent collection, Immersive Worlds: Real and Imagined features artworks created after 1950 using a range of artistic processes, including assemblage, printmaking, painting, and ceramic and wood sculpture.
Nearly a decade in the making, The Grief of Almost, featuring four large-scale paintings and one monumental sculpture by artist Enrique Martínez Celaya, explores our drive toward self-understanding and desire to live a meaningful life.
