Search the Collection

One-word searches work best.
Use AND to require multiple terms:

  • ceramics AND vase
 More
Close Overlay

Keyword Search Information

For best results, use one word:

  • Yoruba
  • Baroque
  • Rembrandt

Use AND for combinations:

  • American AND ceramics AND vase
  • Birch AND bark AND container
  • Picasso AND photograph

Use quotes for phrases and full names:

  • "Bark Painting"
  • "English Sheraton Barometer"
  • "Tuning Fork Mallet"

If your search includes 3 or more words, you may use a mix of quotes and AND:

  • "birch bark" AND container

Living with Sculpture

March 23, 2024 – March 22, 2025
Presence and Power in Europe, 1400–1750

Share

Download Press Release
  • An instillation image of "Living With Sculpture." The room is painted blue and has art on the walls.

    View of Living with Sculpture: Presence and Power in Europe, 1400–1750 installed in Citrin and Engles Galleries. Photo by Rob Strong.

  • An instillation image of "Living With Sculpture" The room is painted blue and has art on the walls. There is a large tapestry visible in the background of the image.

    View of Living with Sculpture: Presence and Power in Europe, 1400–1750 installed in Citrin and Engles Galleries. Photo by Rob Strong.

  • An instillation image of "Living With Sculpture." The room is painted blue and has art on the walls.

    View of Living with Sculpture: Presence and Power in Europe, 1400–1750 installed in Citrin and Engles Galleries. Photo by Rob Strong.

  • A silver and gold square plaquette of a woman in profile.

    Unknown French, Diane de Poitiers, 1400–1600, iron damascened with gold. Roger Arvid Anderson Collection – 250th Anniversary Gift, 1769–2019; 2016.64.51

About

Sculptures surround us in our daily lives. Similarly, they enlivened private and public spaces in medieval and Renaissance Europe, contributing to presentations of identity, practices of devotion, and promotions of nationhood. Featuring objects made across the continent, this exhibition examines the significance of sculpture between 1400 and 1750, an era of profound cultural and social change. Amid war, colonization, religious conflict, academic upheaval, and social stratification, these works of art ornamented homes, altars, libraries, and collections.

Organized thematically, this exhibition focuses on small-scale sculptures found in everyday spaces. New ways of making and designing sculpture enabled artists to enhance their status and develop their creativity. Meanwhile, useful sculptures like locks and inkwells communicated owners’ identities and prestige. Through practices of collecting and display, patrons harnessed sculpture to present their social connections and power. Sculpture also facilitated access to the divine, through objects that focused prayer and encouraged tactile connection with God. Similarly, sculptures forged a sense of history, recording contemporary events and promoting ideas about the past. Together, the sculptures presented here attest to how objects in bronze, wood, or stone gave meaning to people’s lives in early modern Europe.

This exhibition is organized by the Hood Museum of Art, Dartmouth, and generously supported by the Leon C. 1927, Charles L. 1955, and Andrew J. 1984 Greenebaum Fund, the Gladys Krieble Delmas Foundation, and a grant from the Samuel H. Kress Foundation.

Exhibition Curator

Ashley B. Offill | Elizabeth Rice Mattison

Related Publications

Living with Sculpture: Presence and Power in Europe, 1400–1750The Hood Museum of Art Quarterly, Spring 2024

Additional Information

gilded_sponsor_logos_for_website.jpg

Three black and white business logos are stacked atop one another.

 

 

 

 

 

 

 

 

Press Mentions

Exhibition subject: Europe