The Hood Museum of Art's ambitious publishing program ranges from book-length studies of collection areas and traveling exhibitions to numerous brochures and gallery guides, including our special A Space for Dialogue: Fresh Perspectives on the Permanent Collections from Dartmouth's Students series, now numbering over one hundred brochures. Our publications reflect the thriving scholarly community that intersects with the Hood collections on an ongoing basis, comprised of the curatorial staff, Dartmouth faculty and students, and colleagues and researchers from other institutions. The Hood Museum has published over fifty books and numerous brochures in the past twenty years.
Print Archive
Explore various Hood Museum of Art publications.
Faces of Antiquity: Portraiture of the Roman Empire
Kasia Vincunas ’11, Mellon Special Project Curatorial Intern
Published by the Hood Museum of Art, Dartmouth College
2011, 2 pages
Supplementary PDF (210.3 KB)An Aggressive Art: Early Caricature and Self-Parody in France and England
Dylan Hayley Leavitt ’11, Kathryn Conroy Intern
Published by the Hood Museum of Art, Dartmouth College
2011, 2 pages
Supplementary PDF (824.95 KB)The Illusions of Eighteenth-Century European Portraiture
Courtney Chapel ’11, Homma Family Intern
Published by the Hood Museum of Art, Dartmouth College
2011, 2 pages
Supplementary PDF (623.9 KB)Edited by Brian P. Kennedy
Contributions by Colin G. Calloway, Mary Coffey, Rayna Green, Robert McGrath
Distributed by University Press of New England
2011, 164 pages
paper, ISBN #978-1-61168-029-4, $39.95
Native American Art at Dartmouth: Highlights from the Hood Museum of Art
Modern & Contemporary ArtNative AmericaUnited States & Canada Collection HighlightsExhibition RelatedWith contributions by George P. Horse Capture Sr., Joe D. Horse Capture, Joseph M. Sanchez, Colin G. Calloway, and Karen S. Miller, as well as Leah Bowe, Sherry Brydon, Heather Igloliorte, Miles R. Miller, Jennifer Neptune, Megan A. Smetzer, Joyce M. Szabo, and Jenny Tone-Pah-Hote
Publishing partner: University Press of New England
2011, 212 pages
paper, ISBN# 978-1-61168-033-1, $40.00
Vivian Ladd, Museum Educator For the label, she adapted information provided by T. Barton Thurber, Curator of European Art, and research by Joy Kenseth, Professor of Art History at Dartmouth College, and Arthur Wheelock, Curator of Northern Baroque Painting at the National Gallery of Art.
2011, brochure
Supplementary PDF (642.71 KB)Esmé Thompson: The Alchemy of Design
Modern & Contemporary ArtUnited States & Canada Exhibition RelatedContributions by Liz Quackenbush and Marjorie Woods and an interview with the artist by Brian Kennedy
Foreword by Katherine Hart, Interim Director of the Hood Museum of Art
Distributed by University Press of New England
2011, 96 pages
paper, ISBN # 978-0-944722-40-4, $19.95
Published by the Hood Museum of Art, Dartmouth College
Autumn/Winter 2010-2011, 19 pages
Supplementary PDF (1.15 MB)A Man-Made Icon: The Gibson Girl
Sarah Peterson ’10, The Levinson Intern
Published by the Hood Museum of Art, Dartmouth College
2011, 2 pages
Supplementary PDF (2.55 MB)Published by the Hood Museum of Art, Dartmouth College
Spring/Summer 2010, 14 pages
Supplementary PDF (5.63 MB)