Exhibitions Archive
Entrance Gallery
We briefly survey contemporary art that is engaged with some of the signature issues addressed by artists today, including profound engagements with feminism, racism, and globalism, as well as national, ethnic, and gender identity. The artworks are rendered in diverse styles and through varying techniques, but each of the artists represented here shares a desire to use art as a tool for social justice and change.
All Dolled Up
Dolls can be playthings—items which help us explore everyday life and fantasy—and objects of nostalgia. This selection of photographs features dolls in a variety of contexts, from domestic to uncanny. It includes work by photographers Hans Bellmer, Olivia Parker, Senzeni Marasela, Destiny Deacon, and Ralph Meatyard, among others
Society Engraved
The prints in this exhibition reflect William Hogarth’s (1697–1764) pointed, shrewd, and satirical social and political commentary. His work appealed to a broad public, but this popularity prompted questions into the ethical issues around the production and distribution of prints, the right to profit from artistic labor, and the nature of what constitutes an original work of art.
Migrant Bodies and Latinx Identities
Los MojadosLos Mojados: Migrant Bodies and Latinx Identities highlights prints and photographs from the Hood’s collection that speak to the complexity of the US-Latinx experience. Ranging from migrant labor rights issues in the 1960s to the current Central American refugee crisis, these works explore an array of cross-cultural issues though an exploration of the body and accessible media. This exhibition seeks to insert Latinx art and culture into the greater historical narrative of the United States while encouraging viewers to rethink the boundaries of American art.
Narratives in Japanese Woodblock Prints
Japanese woodblock-print artists produced numerous rich engagements with culturally resonant narratives that were often loosely based on historical events, then subsequently embellished in textual sources and their theatrical adaptations. The artists featured in this exhibition explore a wide and often gendered range of responses to those narratives’ emotionally charged moral and ethical dilemmas.
The concept of consent in photography is complex. Who is giving it? Who is receiving it, if anyone at all? This exhibition, curated by the Hood Museum of Art's 2017-2018 interns, addresses these questions through four themes: Self Reflections, Individuals and Identities, Public Spheres, and Global Ethics.