Exhibitions Archive
Cubism and Its Aftershocks
For the United States, modernism in the first half of the 20th century emerged from a transatlantic dialogue among artists, writers, philosophers, and myrid other forward-looking thinkers. This gallery focuses on the exchange of ideas between art centers such as Paris and New York while celebrating the contributions of individual artists.
Black Bodies on the Cross
Black Bodies on the Cross attempts to capture the dissonance and duality present in the Black Christian experience, as seen through the eyes of postwar and contemporary African American artists including Romare Bearden, Ashley Bryan, Kara Walker, and Enrico Riley. By inserting Black subjects into Biblical narratives, these artists explore the ways in which the Black experience can be understood as part of a universalizing Christian narrative that, ironically, often excludes Black subjects.
Recycle, Resist, Protect, Sustain
Native Ecologies
What do you see and what can you understand when you look at a piece of Native pottery made in the late 19th century? In this gallery, we'll ask what we might see and understand of Native and social ecologies when we look in, under, and outside the drawing, carving, tool, ceremonial object, and item of clothing—that is, Native relationships with and responsibilities to place, land, water, plants, and animals, and to family, community, and stranger.
The Sepik River and Abelam Hill Country
Melanesian Art
The art of Melanesia is a particular strength of the Hood Museum of Art's collection, and the museum's primary holdings are from the island of New Guinea in the southwestern Pacific. The objects in this gallery offer a window into the region's traditional religions, people's ideas about the supernatural world, and the social relationships of people living within the traditional societies located in the Sepik River region and Abelam Hills in the northern part of the island.
A Focus on Africa
Global Contemporary
Global contemporary art encapsulates the practices of Western and non-Western artists alike who emobdy the spirit of the time. This installation presents a contemporary story of the continent of Africa through fifteen powerful works in diverse media and in myriad forms by multiple generations of artists. The works explore a range of issues, including the impact of the colonial past on present challenges of nation-building in Africa, feminism, urbanism and infrastructural changes, globalization, forced and voluntary immigration, and environmental challenges.
A World of Relations
This selection of works from the Hood's Owen and Wagner Collection of Aboriginal Australian Art explores a series of relationships between spouses, siblings, parents, and children, as well as those bonded by shared lands or experiences. Family ties run deep in Indigenous Australian art. And yet, for Indigenous Australians, the concept of kinship is more than simply genetic: it is the basis for a complex cosmology that unites all things in the universe.