An array of school photos from across photography's histories and geographies is set in dialogue with works by contemporary artists who have reframed them. The exhibition looks critically at how a ubiquitous yet unremarked vernacular genre has been used to advance ideologies of assimilation and exclusion but also to inspire social and political change.
Artists featured in the exhibition include Marcelo Brodsky, Steven Deo, Mirta Kupferminc, Rafael Lozano-Hemmer, Silvina Der Meguerditchian, Diane Meyer, Vik Muniz, Lorie Novak, Sandra Ramos, Tomoko Sawada, Abdel Salam Shehada, Carrie Mae Weems, and David Wojnarowicz.
This exhibition is organized by the Hood Museum of Art, Dartmouth College, and was generously supported by The Charles Gilman Family Endowment.
Marianne Hirsch | Leo Spitzer
May 5–6, 2022
Photography's Afterlives brings together artists, photo historians, curators, and theorists of visual culture to reflect on the afterlives of everyday vernacular images. Speakers will discuss how photography as a practice of everyday life acquires new meanings as images are collected, displayed, and reframed in changing historical and political circumstances. Looking at a variety of photographic genres (portraits and selfies, ID and passport photos, family photos, school pictures, street photos, prison photographs, tourist images and more) from different parts of the world, and at the work of artists who reframe and comment on them, conference speakers will explore the ways in which photography not only documents but actually shapes personal, social and political life. Click here for more information!