Traditional Connections / Contemporary Practice
A dichotomy between craft and art has long been present in critical Western art history, founded largely on a deep-rooted system of aesthetic values. These definitions and values have often ignored the contribution of women artists. The most obvious example of this is women's capacity within the world of craft—a term typically associated with a form of "low art" largely created by women in the domestic sphere to which they have been relegated. Some contemporary women artists have chosen to use traditional techniques associated with craft and utilitarian objects to produce unique and innovative works of art, in the process challenging the largely male-dominated art world to overtly acknowledge their talent as artists.
A Space for Dialogue, founded with support from the Class of 1948, is made possible with generous endowments from the Class of 1967, Bonnie and Richard Reiss Jr., Class of 1966, and Pamela J. Joyner, Class of 1979.
Curated by Nicole S. Williams, Exhibitions Coordinator
A Space for Dialogue, founded with support from the Class of 1948, is made possible with generous endowments from the Class of 1967, Bonnie and Richard Reiss Jr. ’66, and Pamela J. Joyner ’79.