On View
Sculptures surround us in our daily lives. Similarly, they enlivened private and public spaces in medieval and Renaissance Europe, contributing to presentations of identity, practices of devotion, and promotions of nationhood.
Nearly a decade in the making, The Grief of Almost, featuring four large-scale paintings and one monumental sculpture by artist Enrique Martínez Celaya, explores our drive toward self-understanding and desire to live a meaningful life.
From the Field: Tracing Foodways through Art explores the idea of food as not only nourishment but also an expression of our lived and shared experiences.
[Un]Mapping examines the legacies of mapmaking and invites viewers to think about alternatives for visualizing our relationships to place.
An Instant Out of Time: Shaping a Collection looks at how the Hood Museum's photography holdings are being developed to best respond to the institution's teaching mission.