Museums are a place of vocational awe, mainly due to the extreme barriers to entering the field. Graduate degrees, a strong network, and substantial experience are asked of applicants just starting their journeys as museum workers.
Hood Museum curator Elizabeth Rice Mattison recently published an article in Notes in the History of Art on the museum's 2022 acquisition of Elisabeth Louise Vigée Le Brun's Portrait of Marie Rose Sanlot (1776).
AMELIA KAHL
Barbara C. and Harvey P. Hood 1918 Curator of Academic Programming NEELY MCNULTY
Hood Foundation Curator of Education Hood Quarterly, summer 2024
