Exhibitions Archive
This installation asks why animation has been excluded from the Western definition of fine art as "art forms developed mainly for aesthetics" through the juxtaposition of seven different pieces from the Walt Disney animated feature film Pinocchio and three contemporary works of art that feature animation.
Cultural Hybridity in the Funerary Arts of the Roman Provinces
Center and Periphery
This installation presents examples of the kind of hybrid visual culture materialized in funeral art from certain key provinces—Syria, Africa Proconsularis (modern Tunisia), and Egypt—created during the era when the Roman Empire was at its greatest extent.
Old and Modern Masters
Continuity of the Spiritual
This installation explores the representation of emotion and spirituality in works of art dating from the Renaissance to today in paintings, prints, and video.
The Illusions of Eighteenth-Century European Portraiture
From ancient times to the present day, portraiture has been a medium in which individuals could create an illusion of themselves in a very selective and proscribed manner. This installation features four portraits, by Sir Joshua Reynolds, George Romney, Elizabeth Louise Vigée Le Brun, and Pompeo Batoni, which suggest that portraits are always a construction of some sort, though the attentive viewer can uncover their secrets.
Early Caricature and Self-Parody in France and England
Aggressive Art
This installation explores the culture of caricature and features five late-eighteenth- and early-nineteenth-century prints, including works by James Gillray and Honoré Daumier.