Corporate Imagery in the Art of the 1980sReflections on the New American Dream
In HistorySusan Meiselas
Susan Meiselas, best known for her work covering the political upheavals in Central America in the 1970s and 1980s, is one of the most socially engaged photographers of our time. Her process has evolved in radical and challenging ways as she has grappled with pivotal questions about her relationship to her subjects, the use and circulation of her images in the media, and the relationship of images to history and memory. Her insistent engagement with these concerns has positioned her as a leading voice in the debate over the function and practice of contemporary documentary photography. This exhibition is structured around three key projects, presented in their complete form, that exemplify the evolution of Meiselas’s process and approach: photographs and audio of New England carnival strippers (1972-76); photographs, films, and public installations from Nicaragua (1978-2004); and photographs and collected archival objects and video from Kurdistan (1991-present). The exhibition encourages cross-disciplinary dialogue around issues of art, anthropology, and human rights.
American Art Posters of the 1890sAdvertising with Style
Images of American DevelopmentTelling Landscapes
Highlights from the Hood Museum of ArtModern and Contemporary Art at Dartmouth
The third in a series of comprehensive exhibitions and catalogues showcasing the permanent collection, this exhibition surveys the breadth and depth of the permanent collection and highlights key works from the holdings, only a tiny fraction of which are on view in the museum's galleries at any one time. Modern and Contemporary Art at Dartmouth focuses on post-1945 painting, sculpture, works on paper, new media, and photography, and includes works by Mark Rothko, Ed Ruscha, Alice Neel, Romare Bearden, Alexander Calder, El Anatsui, Juan Munoz, Alison Saar, Amir Nour, Bob Haozous, Richard Serra, and Bill Viola, among others.