Seated Man with a Guitar (Study for Polychromed Bas-Relief)

Jacques Lipchitz, French, 1891 - 1973

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1918

Gouache on composition board

Overall: 21 1/8 × 17 7/8 in. (53.6 × 45.4 cm)

Hood Museum of Art, Dartmouth College: Gift of Evelyn A. and William B. Jaffe, Class of 1964H

W.959.137.6

Geography/Culture

Europe, France

Period

20th century

Object Name

Watercolor

Classification

Watercolor

Not on view

Inscription

Signed and dated, lower left: J. Lipchitz / 18

Course History

WRIT 5, The Waste Land, Before and After, Melissa Zeiger, Fall 2013

THEA 90, Contemporary Practices in U.S. Theater, Laurie Cherba Kohn, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

Exhibition History

Works on Paper: Nineteenth and Twentieth Century Drawings and Watercolors from the Dartmouth College Collection, Carpenter Galleries, Dartmouth College, Hanover, New Hampshire, May 30-September 21, 1975.

Twentieth Century Masters from the Permanent Collection, Barrows Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, February 3-March 5, 1978.

The Protean Century, 1870-1970, A Loan Exhibition from The Dartmouth College Collection, Alumni and Friends of the College [under the auspices of the Dartmouth Arts Council], M. Knoedler & Company, Inc, New York, New York, February 10-28, 1970.

The Machine in the Garden: Cubist Art From the Hood Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 26-August 24, 1986.

Rococo to Modernism: European Drawings and Watercolors from the Permanent Collection and Dartmouth's Alumni, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 30-May 30, 2004.

Palmer Lounge, Hopkins Center, Dartmouth College, Hanover, New Hampshire, April 1973.

Modernism: The Making of the 20th Century Vision, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 22-July 8, 1990.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 19, 2001-July 28, 2002.

Early Modern Art from the Permanent Collection, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 16, 1995-April 7, 1996.

Director's Choice, William B. Jaffe-Friede Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, June 10-July 10, 1966.

Cubist Art, Carpenter Galleries, Dartmouth College, Hanover, New Hampshire, April 6-August 18, 1981.

Cubist Art, Barrows Windows, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, February 4-March 20, 1977.

Cubism: From Advanced Art History Seminar to Museum Installation, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 28, 2004-February 20, 2005.

Cubism, Carpenter Galleries, Dartmouth College, Hanover, New Hampshire, January 11-28, 1977.

Cubism and Its Legacy, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 17-December 20, 2013.

Cubism and Its Influence, Barrows Print Room, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 17-March 30, 1975.

Cubism and Its Affinities, Strauss and Barrows Galleries, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, July 9-September 5, 1976.

A Collector's Choice, William B. Jaffe Memorial Exhibition, December 8-January 7, 1973.

Publication History

Treasures of the Hood Museum of Art, Dartmouth College, New York: Hudson Hill Press, 1985, p. 129.

The Protean Century, 1870-1970, Hanover, New Hampshire: The Trustees of Dartmouth College, 1970, no. 35.

Franklin W. Robinson, [et al.], Works on Paper: Nineteenth and Twentieth Century Drawings and Watercolors from the Dartmouth College Collection, Hanover, N.H.: Trustees of Dartmouth College, 1975, p. 55.

A.M. Hammacher, Jacques Lipchitz, New York: Harry N. Abrams, 1975, no. 54.

Provenance

Evelyn Annenberg Friede Jaffe Hall (1911-2005) and William B. Jaffe (1904-1972), New York; given to present collection, 1959.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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