Unknown Austrian, Austrian
early 15th century
Wood with polychromy, gesso and traces of gilding
Overall: 19 3/4 in. (50.2 cm)
Hood Museum of Art, Dartmouth: Bequest of Anton Adolph Raven, Class of 1937H
Place Made: Austria, Europe
Not on view
REL 1, Patterns of Religious Experience, Elizabeth Perez, Fall 2013
ARTH 33, Gothic Art and Architecture, Jane Carroll, Spring 2014
ARTH 15.1, Gothic Art, Jane Carroll, Spring 2019
HIST 96.39, Saints and Material Devotion, Cecilia Gaposchkin, Fall 2021
Barrows Print Room, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, April 5-24, 1974.
Creating the Feminine: Representations of Biblical Women from Sixteenth-Century Germany, A Space for Dialogue 85, Sara E. Trautz, Class of 2015, Mellon Special Project Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 8-December 21, 2014.
Dorothy Gillerman, Gothic Sculpture in America, I. The New England Museums, New York: Garland Publishing, Inc., 1989, p. 346.
Sara E. Trautz, Creating the Feminine: Representations of Biblical Women from Sixteenth-Century Germany, A Space for Dialogue 85, Hanover, New Hampshire, Hood Museum of Art, Dartmouth College, 2014, ill. p. 3, checklist no. 9.
Collection of Anton Adolph Raven (1895-1955, Dartmouth College Professor of English), Hanover, New Hampshire; bequeathed to present collection, 1966.
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