Santa Giustina in Pra della Valle

Canaletto (Giovanni Antonio Canal), Italian, 1697 - 1768

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about 1740-1744

Etching on laid paper

Plate: 11 13/16 x 16 15/16 in. (30 x 43.1 cm)

Sheet: 18 1/16 x 24 1/2 in. (45.9 x 62.3 cm)

Hood Museum of Art, Dartmouth College: Gift of Jean K. Weil in memory of Adolph Weil Jr., Class of 1935

PR.997.5.28

Geography/Culture

Europe, Italy

Period

1600-1800

Object Name

Print

Classification

Print

Not on view

Inscription

Inscribed, in plate, lower left: A. Canal f.; lower center: S.a Giustina in pra della Vale

Exhibition History

Two Views of Italy: Master Prints by Canaletto and Piranesi, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 10-September 3, 1995, no. 7.

Italian Master Prints of the 18th Century: Selections from the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery Museum of Fine Arts, Montgomery, Alabama, September 16-November 4, 1984, no. 24.

Canaletto's Vedute Prints: An Exhibition in Honor of Adolf Weil, Jr., Friends and Owen Robertson Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 1-December 6, 2015.

Publication History

Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, listed, p.87, no. 28.

Suzanne Folds McCullagh, Italian Master Prints of the Eighteenth Century: Selections from the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery: The Museum of Fine Arts, 1984, no. 24, plate 9.

Richard Rand and John Varriano, Two Views of Italy: Master Prints by Caneletto and Piranesi, Hanover: Hood Museum of Art, Dartmouth College, 1995, p. 76, pl. 1; p. 92, no. 7.

Provenance

Kennedy Galleries, New York; sold to Jean K. and Adolph Weil, Jr., Montgomery, Alabama, on November 23, 1977; given to present collection, 1997.

Catalogue Raisonne

R. Bromberg, Canaletto's Etchings, London, 1974, no. 7.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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