Arion on a Dolphin

Jan Harmensz Muller, Dutch, 1571 - 1628
after Cornelis Cornelisz. van Haarlem, Dutch, 1562 - 1638

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about 1590

Engraving on laid paper

Sheet: 14 × 14 1/4 in. (35.6 × 36.2 cm)

Hood Museum of Art, Dartmouth: Purchased through the Hood Museum of Art Acquisitions Fund and a gift from the Cremer Foundation in memory of J. Theodor Cremer

PR.994.24

Geography

Place Made: Netherlands, Europe

Period

1400-1600

Object Name

Print

Research Area

Poster

Not on view

Inscriptions

Inscribed, in plate, lower margin: Quisnam igitur liber? Sapiens, sibi qui imperiosus / Quem ne 'qz mors ne 'qz vincula terrent: / Responsare cupidinibus, contemmnere honores / Fortis, et in seipso totus at'qz rotundus. Dueghd Verhueght. C. Cornelis Harlemen inven. / Haman Mullerus excud. / Amsterdamj. Watermark: Double-headed eagle.

Course History

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012

ARTH 46, Northern Baroque Art, Joy Kenseth, Spring 2012

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Mary Coffey, Winter 2014

ARTH 17.2, FILM 50, When Media Were New, Katie Hornstein, Spring 2014

ITAL 23, Seventeenth and Eighteenth-Century Italian Literature and Culture, Nancy Canepa, Winter 2015

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 28.08 – Italian Art from Renaissance to Baroque: Crisis and Intervention, Elizabeth Kassler-Taub, Winter 2020

ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022

ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022

ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022

Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023

Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023

Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023

Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023

Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023

Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023

Exhibition History

A Decade of Collecting, 1985-1995: Old Master and Nineteenth Century European Prints from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 9, 1995-February 4, 1996, no. 3.

European Art at Dartmouth: Highlights from the Hood Museum of Art, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.

From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26-April 14, 2019.

Introduction to the History of Art: Works from the 15th to the 18th Centuries, Harrington Gallery Teaching Exhibition, Art 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 24, 1994-February 5, 1995.

Representing Myth: The Classical Tradition in Western Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 11-August 17, 1995.

Publication History

Richard Rand, "A Decade of Collecting, 1985-1995: Old Master and Nineteenth-Century European Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1995, no. 3.

T. Barton Thurber, European Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2008, p.137, ill., no. 79.

John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 88, ill. plate no. 19.

Provenance

possibly Friedrich August II (Lugt 971); Sotheby's London, June 28, 1994, no. 40; R. E. Lewis, Inc.; sold to present collection, 1994.

Catalogue Raisonne

Hollstein 48; Bartsch 32 (277)

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