Numbered, in graphite, lower left margin: 75; signed, in graphite, lower right margin: Howard Cook imp.; inscribed, in graphite, lower left: CHRYSLER BLDG; inscribed, in graphite, lower center: WOODCUT
SART 65, Architecture I, Karol Kawiaka, Spring 2012
SART 65, Architecture I, Karol Kawiaka, Spring 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
THEA 90, Contemporary Practices in U.S. Theater, Laurie Cherba Kohn, Fall 2013
WRIT 5, The Waste Land, Before and After, Melissa Zeiger, Fall 2013
SART 65, Architecture I, Karol Kawiaka, Winter 2014
ARTH 17, The Power of Place: Urban and Rural Images in American Art, 1900-1945, Sarah Powers, Winter 2014
American Works on Paper to 1950: Highlights from the Hood Museum of Art, Friends and Owen Robertson Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 22-December 9, 2007.
Cubism and Its Legacy, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 17-December 20, 2013.
Picturing New York: Images of the City, 1890-1955, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 31-June 21, 1992.
Barbara MacAdam, "Picturing New York: Images of the City,1890-1955", Hanover, New Hampshire: Trustees of Dartmouth College, 1992, no.16.
Published as a postcard by Bethesda Art Gallery, Glen Echo, MD
Barbara J. MacAdam, American Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2007, p. 161, no. 131.
The artist; Bethesda Art Gallery, Maryland; sold to present collection, 1990.
Duffy, 1984: 122.
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