Printed across lower margin: F. PALMER, DEL. Entered according to Act of Congress in the Year 1860, by Currier & Ives, in the Clerk's Office of the Distr. Court of the Southern Distr. of N. Y. LITH. BY CURRIER & IVES, N. Y.; printed below, center: MOUNT WASHINGTON AND THE WHITE MOUNTAINS,/ FROM THE VALLEY OF CONWAY./ NEW YORK, PUBLISHED BY CURRIER & IVES, 152 NASSAU ST.
A Sweet Foretaste of Heaven: Artists in the White Moutains, 1830-1930, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 10-October 30, 1988.
Women Artists of the White Mountains: 1840-1940. Frances S. MacIntyre, Lebanon Graphics.
Robert L. McGrath, Gods in Granite: The Art of the White Mountains of New Hampshire, Syracuse, New York: Syracuse University Press, 2001, 216 p., ill. no. 74.
Robert L. McGrath and Barbara J. MacAdam, "A Sweet Foretaste of Heaven", Artists in the White Mountains 1830-1930, Hanover, New Hampshire: Trustees of Dartmouth College, 1988, p.51, no.11.
Mark Sullivan, "Meaning in John F. Kensett's October Day in the White Mountains", Cleveland Studies in the History of Art, Vol. 6, Cleveland, Ohio: Cleveland Museum of Art, 2001, fig. 5, ill. p. 53.
Dorothy E. Huffman Goldberg (1917-1997) and Robert A. Goldberg (1918-1997), North Conway, New Hampshire; given to present collection, 1987.
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.
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