Macarena of Miracles

Audrey L. Flack, American, born 1931

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1973

Color lithograph and gold leaf on paper

132/150

Overall: 32 13/16 × 24 in. (83.4 × 61 cm)

Hood Museum of Art, Dartmouth College: Gift of Dr. Samuel Mandel

PR.983.57.1

Printer

Bank Street Atelier, New York

Publisher

The Shorewood Press, Milwaukee, Wisconsin

Geography/Culture

North America, United States

Period

20th century

Object Name

Print

Classification

Print

Not on view

Inscription

Signed and numbered, in colored pencil, lower right: Audrey Flack / 132/150;

Course History

REL 7, Dark Goddesses and Black Madonnas, Elizabeth Perez, Winter 2013

REL 51, Virgin of Guadalupe, Elizabeth Perez, Winter 2013

Exhibition History

The Art of Spectatorship: A History of Viewing from the Renaissance to the Present Day, Harrington Gallery Teaching Exhibition, Art History 2, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19-April 6, 2008.

Second Stage of Modernism: Art from 1945 to the present, William B. Jaffe and Evelyn A. Jaffe-Hall, Lanthrop, Friends and Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 6-August 16, 1987.

Do You See What I See?, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 17, 1988-March 5, 1989; Katonah Gallery, Katonah, New York, January 5-March 5, 1990.

A Space for Dialogue 80, Visions of the Virgin: Manifestations of Mary and Personal Devotion, Jessica Womack, Class of 2014, Levinson Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 25 - March 9, 2014.

Publication History

Jessica Womack, Class of 2014, Levinson Intern, A Space for Dialogue 80, Visions of the Virgin: Manifestations of Mary and Personal Devotion, Hanover, New Hampshire: 2014, ill. title page.

"Do You See What I See?", Katonah Gallery, New York, 1990.

Provenance

Dr. Samuel Mandel, Forest Hills, New York; given to present collection, 1983.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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