Nihonbashi (Leaving Edo, The Bridge of Japan), from The Fifty-three Stations of the Tokaido (Hoeido Edition)

Utagawa (Andō) Hiroshige, Japanese, 1797 - 1858

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1832-1834

Color woodblock print on paper

Impression: 9 × 14 in. (22.9 × 35.6 cm)

Hood Museum of Art, Dartmouth: Gift of John C. Richardson, Class of 1941, in memory of his father, Edward C. Richardson, Class of 1905

PR.972.63.1

Geography

Place Made: Japan, East Asia, Asia

Period

19th century

Object Name

Print

Research Area

Print

Not on view

Course History

ARTH 65, Japanese Prints, Allen Hockley, Spring 2013

ARTH 65, Japanese Prints, Allen Hockley, Winter 2015

ARTH 62.3, Japanese Prints, Allen Hockley, Winter 2019

Exhibition History

Cultural Exchange, the Body, and Art and Technology, Art History 2, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 25-March 9, 2003.

Utagawa Hiroshige: The Great Tokaido, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 9-March 14, 1993, no. 1.

Published References

Hokusai and Hiroshige: Great Japanese Prints from the James A. Michener Collection, Honolulu Academy of Arts. (San Francisco: The Asian Art Museum of San Francisco in association with the Honolulu Academy of Arts and University of Washington Press, Seattle and London, 1998)

Provenance

Probably collected by Edward Curtis Richardson (1881-1968), in Japan, 1920s; to his son, John Curtis Richardson (1919-2003), South Berwick, Maine, about 1968; given to present collection, 1972.

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