Vue aérienne de la Tour (Aerial View of the Eiffel Tower), from Allo! Paris
Robert Delaunay, French, 1885 - 1941
1926
Crayon lithograph on wove paper
Edition of 325
Image: 7 11/16 × 7 15/16 in. (19.5 × 20.1 cm)
Sheet: 11 × 8 3/4 in. (27.9 × 22.2 cm)
Hood Museum of Art, Dartmouth: Purchased through the Julia L. Whittier Fund
PR.959.27.3
Printer
Engelmann & Graf, Paris
Publisher
Éditions des Quatre Chemins, Paris
Geography
Place Made: France, Europe
Period
20th century
Object Name
Research Area
Not on view
Inscriptions
Reverse, inscribed, in graphite, lower left: Delauney "Tower"; reverse, stamped, in purple ink, lower right: MADE IN FRANCE
Label
Robert Delaunay takes an iconic Parisian monument, the Eiffel Tower, and abstracts it through a view from above. By applying a Futurist-like lens to this familiar image, Delaunay evokes the simultaneity that manifests throughout urban life. For example, notice how the overall image of the Eiffel Tower is framed by segmented circles and grid-like edges, all converging around the monument in intersecting planes. Analogously, many things are happening, originating from every side yet converging all at once in the flurry that is the modern city. Completed in 1889 just ahead of the World’s Fair, Gustave Eiffel’s iron tower was the talk of the town, an incredible feat of industrial prowess. Here, the Eiffel Tower is a symbol of overlapping flux, materiality, and stability—the unique, elusive essence of the modern age.
From the 2025 exhibition A Space for Dialogue 125, Chasing Modernity: Fleeting Moments and Elusive Urbanity, curated by Ellie Brown ’25, Conroy Intern
Provenance
Ferdinand Roten Gallery, Baltimore, Maryland; sold to present collection, 1959.
Catalogue Raisonne
Adhémar (1952), IFF, Vol.6: 3; Loyer & Perussaux (1974): Allo!Paris 8
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