In the Spring

Grant DeVolson Wood, American, 1892 - 1942

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1939

Lithograph on Rives BFK paper

250

Image: 9 × 11 15/16 in. (22.8 × 30.3 cm)

Sheet: 11 7/8 × 16 1/8 in. (30.2 × 41 cm)

Hood Museum of Art, Dartmouth College: Purchased through the Julia L. Whittier Fund

PR.956.46.28

Printer

George C. Miller

Publisher

Associated American Artists, New York

Geography/Culture

North America, United States

Period

20th century

Object Name

Print

Classification

Print

Not on view

Inscription

Signed, in graphite, lower right margin: Grant Wood Watermark: GCM

Course History

WRIT 5, Writing Into the Wilderness, Nancy Crumbine, Winter 2015

WRIT 5, Writing Into the Wilderness, Nancy Crumbine, Winter 2015

ARTH 71, The "American Century": Modern Art in the United States. Mary Coffey, Winter 2015

ARTH 71, The "American Century": Modern Art in the United States, Mary Coffey, Winter 2015

WRIT 5, Writing into the Wilderness, Nancy Crumbine, Fall 2014

WRIT 5, Writing into the Wilderness, Nancy Crumbine, Fall 2014

WRIT 7, Religion and Literature: Revisioning the Invisible, Nancy Crumbine, Spring 2014

WRIT 5, Writing into the Wilderness, Nancy Crumbine, Spring 2014

Exhibition History

Looking for America: Prints of Rural Life from the 1930's and 1940's, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 3, 1994-March 5, 1995.

Hail, Holy Land: The Idea of America, Strauss and Barrows Galleries, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, June 27-September 7, 1980.

A Self-Portrait of America, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, June 18-September 16, 1984.

Publication History

Barbara J. MacAdam, Looking for America: Prints of Rural Life from the 1930s and 1940s, Hanover, New Hampshire: Trustees of Dartmouth College, 1994, listed no. 59, ill. cover.

Provenance

Ferdinand Roten Gallery, Baltimore, Maryland; sold to present collection, 1956.

Catalogue Raisonne

Cole 13; Czestochowski W-13

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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