Le Sacrifice d'Abraham (The Sacrifice of Abraham ; Abraham's Sacrifice), from the series Bible I

Marc Chagall, Russian-French, born Belarus, 1887 - 1985

Share

published 1956

Etching and aquatint on wove paper

295

Plate: 12 1/16 × 9 7/16 in. (30.6 × 23.9 cm)

Sheet: 17 5/16 × 12 13/16 in. (44 × 32.6 cm)

Hood Museum of Art, Dartmouth: Museum Purchase

PR.955.68

Publisher

Tériade Editeur, Paris

Geography

Place Made: Russia, Europe

Period

20th century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Inscribed, in graphite, lower left margin: Le Sacrifice d'abraham [in later hand]; inscribed, in graphite, lower left: Abraham's Sacriffice 112-26 [in later hand]

Course History

SART 27, Printmaking I: Intaglio, Louise Hamlin, Spring 2012

SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2012

SART 27, SART 28, SART 74, Printmaking I, II, III, Louise Hamlin, Spring 2013

SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2013

SART 27, SART 28, Printmaking I-Intaglio, Printmaking II, Louise Hamlin, Winter 2014

SART 27, SART 28, SART 74, Printmaking I, Printmaking II, Printmaking III, Louise Hamlin, Spring 2014

Exhibition History

Critical Faculties: Teaching with the Hood's Collections, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 15-March 13, 2005.

In conjunction with Art 48 (Barbara Walsh), Lower Jewitt Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, February 4-May 8, 1981.

Plymouth State College Art Galleries, Plymouth, New Hampshire, January 22-February 28, 1979.

Treasures from the Print Collection, Beaumont-May Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, July 3-August 17, 1980.

Provenance

Ferdinand Roten Gallery, Baltimore, Maryland; sold to present collection, 1955.

Catalogue Raisonne

Cramer 29

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu