The Crucifixion, from The Large Passion

Albrecht Dürer, German, 1471 - 1528

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about 1498; published late 17th century

Woodcut on laid paper

Augsburg edition of 1675 or Ulm edition of 1690

Sheet: 15 1/2 × 11 in. (39.4 × 28 cm)

Hood Museum of Art, Dartmouth College: Gift of Hamilton S. Foster, Class of 1945P

PR.943.7

Geography/Culture

Europe, Germany

Period

1600-1800

Object Name

Print

Classification

Print

Not on view

Inscription

Signed, in block, lower center: AD [in monogram]; collector's mark on reverse: (?) TH

Course History

HIST 96.31, The Crisis of the Late Middle Ages Reconsidered: Art, Artists, and Cultural Change in the ‘Northern Renaissance,’ 1350–1575, Walter Simons, Fall 2019

ARTH 2, Introduction to the History of Art II, Mary Coffey, Joy Kenseth, Winter 2019

ARTH 85, Senior Seminar in Theory and Method, Mary Coffey, Fall 2014

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Mary Coffey, Winter 2014

ARTH 86, Senior Seminar in Art Historical Theory and Method, Katie Hornstein, Winter 2014

ARTH 86, Senior Seminar in Art Historical Theory and Method, Mary Coffey, Winter 2013

ARTH 43, Northern Renaissance Art, Jane Carroll, Winter 2012

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012

Exhibition History

Realism and Invention in the Prints of Albrecht Durer, The Art Gallery, Paul Creative Arts Center, University of New Hampshire, Durham, New Hampshire, November 1-December 11, 1995; Middlebury College Museum of Art, Middlebury, Vermont, January 11-February 25, 1996.

Prints & Drawings of the Northern Renaissance, Carpenter Galleries, Dartmouth College, Hanover, New Hampshire, May 21-July 11, 1976.

Medieval into Renaissance, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 21-April 24, 1994.

Provenance

Hamilton S. Foster; given to present collection, 1943.

Catalogue Raisonne

Bartsch 11; Meder 120; Knappe 190 Willi Kurth, The Complete Woodcuts of Albrecht Durer, p.21

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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