Signed, in plate, lower left: P. Schenck fe.; inscribed, in plate, lower center: AMERICA. / Patria fulca colore luce. Ovid.epist Sapph.; inscribed, in plate, lower right: Amstelod. Cum Privil.; inscribed, in black ink, upper right: 61; inscribed, in brown ink, lower right edge: 89
ARTH 46, Northern Baroque Art, Joy Kenseth, Spring 2012
GOVT 86.43/MES 12.14, Intellectual History of Racism, Michelle Clarke and Jonathan Smolin, Spring 2022
A Space for Dialogue 51, The Quest for Printed Tone, Alex Vespoli, Class of 2009, Class of 1954 Senior Curatorial Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 4-August 16, 2009.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 29-May 15, 2005.
Hill-Stone, Inc., New York, New York; sold to present collection, 2004.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu