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Enrique Chagoya, Mexican, born 1953

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2000

Thirteen color lithograph and woodcut with chine collé and collage on paper

7/30

Overall: 7 5/8 × 11 5/8 × 1 15/16 × 7 1/2 in. (19.4 × 29.5 × 5 × 19.1 cm)

Overall: 92 3/8 in. (234.6 cm)

Hood Museum of Art, Dartmouth College: Purchased through a gift from Jan Seidler Ramirez, Class of 1973

© Enrique Chagoya

PR.2002.2

Geography/Culture

North America, Mexico

Period

21st century

Object Name

Print

Classification

Print

Not on view

Inscription

Signed, in graphite, on last page, lower right: Enrique Chagoya‘00; numbered, in graphite, on last page, lower left: 7/30

Course History

LATS 41, Latinos in Media and Arts, Douglas Moody, Spring 2019

ARTH 48.06, LACS 32, Borderlands Art and Theory, Tatiana Reinoza, Spring 2019

SART 76, Senior Seminar I, Brenda Garand, Winter 2015

SOCY 7.1, Race and Ethnicity, Emily Walton, Winter 2015

SOCY 7.2, Race and Ethnicity, Emily Walton, Spring 2014

SART 17, Collage: Bridging the Gap, Esme Thompson, Fall 2013

ARTH 16, Mexican Art, Mary Coffey, Fall 2012

ARTH 16, Mexican Art, Mary Coffey, Fall 2012

Exhibition History

Reconstitution, Dorothy and Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 2-May 31, 2020.

No Laughing Matter: Visual Humor in Ideas of Race, Nationality, and Ethnicity, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, in conjunction with the Humanities Institute, Leslie Center for the Humanities, Dartmouth College, Hanover, New Hampshire, October 6-December 9, 2007.

A Space for Dialogue 69, Art in Motion: A Deeper Look at the Animated Figure and Its Presence in Contemporary Works, Kayla Gilbert, Class of 2012, Homma Family Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 31-May 13, 2012.

A Space For Dialogue 9, Consuming Life: On the Ideals of Beauty and Assuming Identity in a Culture of Fear, Paula Bigboy, Class of 2003, Curatorial Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 14, 2002-January 12, 2003.

Publication History

Paula Bigboy, A Space for Dialogue 9, Consuming Life: On the Ideals of Beauty and Assuming Identity in a Culture of Fear, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2002, ill. p. 3.

Kayla Gilbert, A Space for Dialogue 69, Art in Motion: A Deeper Look at the Animated Figure and Its Presence in Contemporary Works, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2012, p. 4, no. 5.

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.187, no.199.

Angela Rosenthal, ed., with David Bindman and Adrian W. B. Randolph, No Laughing Matter: Visual Humor in Ideas of Race, Nationality, and Ethnicity, Hanover, New Hampshire: Dartmouth College Press, 2016, cover ill.

Angela Rosenthal and David Bindman, No Laughing Matter: Visual Humor in Ideas of Race, Nationality, and Ethnicity, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2003, p. 3, ill. cover.

Provenance

Charles M. Young, Fine Prints & Drawings, Glastonbury, Connecticut; sold to present collection, 2002.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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