Not Manet's Type

Carrie Mae Weems, American, born 1953

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2001

Offset photolithograph on paper

28/40

Image: 17 × 17 in. (43.2 × 43.2 cm)

Sheet: 40 1/8 × 20 in. (101.9 × 50.8 cm)

Hood Museum of Art, Dartmouth College: Purchased through the Olivia H. Parker and John O. Parker '58 Acquisition Fund

© Carrie Mae Weems

PR.2002.17.1

Geography/Culture

North America, United States

Period

21st century

Object Name

Print

Classification

Print

Not on view

Inscription

Text, printed, lower center: "IT WAS CLEAR, / I WAS NOT MANET'S TYPE / PICASSO -- WHO HAD A WAY / WITH WOMEN -- ONLY USED ME / & DUCHAMP NEVER EVEN CONSIDERED ME"; signed, in graphite, lower right: Carrie M Weems. 2001; numbered, in graphite, lower left: 28/40| Embossed, lower right: [Publisher's chop, bird in circle]

Course History

AAAS 67.5, GEOG 21.01, Black Consciousness and Black Feminisms, Abigail Neely, Winter 2019

SOCY 7.1, Race and Ethnicity, Emily Walton, Winter 2015

SOCY 7.2, Race and Ethnicity, Emily Walton, Spring 2014

Exhibition History

Virtual Space for Dialogue: 2017, Vanity: Disrupting The Female Nude, Jessica King Fredel, Class of 2017, Levinson Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. https://www.jkingfredel.vsfd.hoodmuseum.dartmouth.edu/

Reality and its Alternatives, Art History 2, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 4-March 13, 2005.

No Laughing Matter: Visual Humor in Ideas of Race, Nationality, and Ethnicity, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, in conjunction with the Humanities Institute, Leslie Center for the Humanities, Dartmouth College, Hanover, New Hampshire, October 6-December 9, 2007.

Making Connections at the Hood Museum of Art, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 20-April 14, 2009.

Loew Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 18-March 9, 2003.

Constructing Gender: Works from the Hood Museum of Art's Collection, 1500 to the Present, Harrington Gallery Teaching Exhibition, ARTH 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 28-April 22, 2012.

A Space for Dialogue 88, Still We Rise, Women of Color Existence / Resistance in Contemporary Art, Taylor Payer, Class of 2015, Kathryn Conroy Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 30 -July 12, 2015.

A Space for Dialogue 7, Laura Tepper and Katherine Grayson, Class of 2002, Senior Interns, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 27-October 18, 2002.

Publication History

Taylor Payer, A Space for Diagolgue 88, Still We Rise, Women of Color Esistence / Resistance in Contemporary Art, Hanover, New Hampshire: Trustees of Dartmouth College, 2015, checklist no. 3.

Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 247, figure 7.1.

Provenance

Charles M. Young, Fine Prints & Drawings, Glastonbury, Connecticut; sold to present collection, 2002.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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