All'antica Trophies, number 2 of 6
Enea Vico, Italian, 1523 - 1567
after Polidoro da Caravaggio, Italian, about 1497 - about 1543
about 1550
Engraving on paper
Overall: 9 3/16 × 6 1/2 in. (23.3 × 16.5 cm)
Hood Museum of Art, Dartmouth: Purchased through the Julia L. Whittier Fund
PR.2000.38.2
Geography
Place Made: Italy, Europe
Period
1400-1600
Object Name
Research Area
On view
Inscriptions
Signed, in plate, lower right: ANT / LAFRERI
Label
Enea Vico’s six-print series All’Antica Trophies, after designs by Polidoro da Caravaggio, demonstrates an endless recombination of motifs. It also reveals how such ornamental patterns spread between different media. Polidoro had worked with Raphael to paint the Vatican Stanze, and he later painted façades of Roman palazzi (palaces) with bands of antique and grotesque embellishment. These façades, in turn, were copied by young artists in Rome such as Vico. These prints, which showcase stacks of armor, shields, drums, weapons, and fantastical creatures, could then serve as inspirations for sculptors to incorporate into their works, creating a shared European vocabulary of ornamentation.
From the 2024 exhibition Living with Sculpture: Presence and Power in Europe, 1400–1750, curated by Elizabeth Rice Mattison, Andrew W. Mellon Curator of Academic Programming and Curator of European Art, and Ashley B. Offill, Curator of Collections
Course History
History 42.01, Women's Gender, and Sexuality Studies 22.01, Gender & European Society, Patrick Meehan, Spring 2024
History 96.39, Saints and Relics, Cecilia Gaposchkin, Spring 2024
Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024
Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024
Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024
Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024
Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024
Exhibition History
Living with Sculpture: Presence and Power in Europe, 1400–1750, Citrin Family Gallery and Engles Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 23, 2024–March 22, 2025.
Published References
See: Elizabeth Miller, 16th Century Italian Ornament Prints in the Victoria and Albert Museum, London: V & A Publications, 1999, cat. 50f, p. 9-14.
Provenance
Jan Johnson Old Master & Modern Prints Inc., Montreal, Quebec; purchased by the present collection, 2000.
Catalogue Raisonne
Bartsch XV,443
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