Drunken Indian in Car

Fritz Scholder, Luiseño / American, 1937 - 2005
Luiseño (Luiseno)
California culture

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1974

Acrylic on canvas

Overall: 30 3/16 × 40 3/16 in. (76.6 × 102 cm)

Hood Museum of Art, Dartmouth: Gift of Jane and Raphael Bernstein

P.986.77.6

Geography

Place Made: Sacramento, United States, North America

Period

20th century

Object Name

Painting

Research Area

Native American

Painting

Native American: California Culture

Not on view

Inscriptions

Signed, in purple acrylic, on canvas, lower center.: Scholder

Course History

NAS 8, Perspectives in Native American Studies, Vera Palmer, Fall 2012

NAS 8, Perspectives in Native American Studies, Vera Palmer, Spring 2012

WRIT 5, Expository Writing, William Nichols, Winter 2012

NAS 8, Perspectives in Native American Studies, Vera Palmer, Spring 2013

NAS 8, Perspectives in Native American Studies, Vera Palmer, Spring 2013

NAS 30.1, ARTH 17, Modern Native American Art History, Joyce Szabo, Summer 2013

NAS 16, 20th Century Native American History, Angela Parker, Winter 2014

NAS 8, Perspectives in Native American Studies, Vera Palmer, Spring 2014

NAS 8, Perspectives in Native American Studies, Vera Palmer, Spring 2014

NAS 8, Perspectives in Native American Studies, Vera Palmer, Fall 2014

NAS 8, Perspectives in Native American Studies, Vera Palmer, Fall 2014

Exhibition History

A Space for Dialogue 31, Myth of the Noble Savage, Meghan Rice, Class of 2006, Special Projects Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 3-May 21, 2006.

Fritz Scholder: Indian/Not Indian, National Museum of the American Indian, Smithsonian Institution, Washington, DC, October 15, 2008-August 15, 2009.

Hopkins Center 25th Anniversary Exhibition: Artists-in-Residence at Dartmouth, Jaffe-Friede Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 12-May 22, 1988.

Images of the West: Selections from the Permanent Collection, MALS 190, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 15-August 28, 1994.

Native American Art at Dartmouth: Highlights from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 8, 2011-March 12, 2012.

Perspectives: Native American Art from the Hood Museum of Art's Collection, Perspective in Native Studies, NAS 8, Spring 2014, Vera Palmer, Teaching Exhibition, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 24-June 16, 2014.

Portrait of the Artist as an Indian / Portrait of the Indian as an Artist, Harteveldt Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-February 23, 2020.

The Soaring Spirit: Contemporary Native American Arts, The Morris Museum, Morristown, New Jersey, September 13-November 29, 1987.

Publication History

Meghan Rice, A Space for Dialogue 31, Myth of the Noble Savage, Hanover, New Hampshire,: Hood Museum of Art, Dartmouth College, 2006, ill. p. 3.

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.67, no.43.

George P. Horse Capture, Sr., Joe D. Horse Capture, Joseph M. Sanchez, et al., Native American Art at Dartmouth: Hightlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2011, ill. p. 15 and p. 149, no. 53.

John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 183, ill. plate no. 114.

Provenance

Tally Richards Gallery, Taos, New Mexico; sold to Jane and Raphael Bernstein, Ridgewood, New Jersey; given to present collection, 1986.

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