White Palma, Study
Jack Youngerman, American, 1926 - 2020
1964
Acrylic on canvas
Overall: 23 × 28 in. (58.4 × 71.1 cm)
Hood Museum of Art, Dartmouth: Bequest of Jay R. Wolf, Class of 1951
P.976.177
Geography
Place Made: United States, North America
Period
20th century
Object Name
Painting
Research Area
Painting
Not on view
Inscriptions
Signed, dated, and inscribed, on reverse: Youngerman / White / study / Palma / Youngerman / White / study / Palma / 1964. Label on reverse: Betty parsons gallery 24 West 57th Street New York Jack Youngerman / White Study - Palma / 23 x 28 / 1964
Label
I am working for something organic and lyrical. I like the expressiveness of locked, meshed or tension-provoking shapes in opposition, a union in combat. --Jack Youngerman
Youngerman worked with dozens of drawings to combine and recombine bits of the observed world until the shapes were entirely invented. His imagined imagery has an uncanny resemblance to the visible world and his titles often reinforce this relationship. His approach differed significantly from his friend Ellsworth Kelly, who distilled samples of the observed world in his work. Youngerman rearranged and altered what he saw to create shapes that seem possible despite being invented by the artist.
From the 2023 exhibition The Painter's Hand: U.S. Abstraction since 1950, curated by John Stomberg, Virginia Rice Kelsey 1961s Director
Course History
Studio Art 25.01, Painting I, Daniele Genadry, Summer 2023
Philosophy 1.11, Art: True, Beautiful, Nasty, John Kulvicki, Summer 2023
Philosophy 1.11, Art: True, Beautiful, Nasty, John Kulvicki, Summer 2023
First Year Student Enrichment Program - Cultures, Identities and Belongings, Francine A'Ness, Summer 2023
Studio Art 15.04, Drawing I, Enrico Riley, Fall 2023
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Fall 2023
Studio Art 25.01, Painting I, Jen Caine, Fall 2023
Writing 5.05, Image and Text, Becky Clark, Fall 2023
Writing 5.06, Image and Text, Becky Clark, Fall 2023
Exhibition History
Hopkins Center 25th Anniversary Exhibition: Artists-In-Residence at Dartmouth, Jaffe-Friede Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, March 12-May 22, 1988.
The Jay Wolf Bequest of Contemporary Art, Beaumont-May Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, June 24-August 28, 1977.
The Painter's Hand: U.S. Abstraction since 1950, William B. Jaffe and Evelyn A. Jaffe-Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 3-December 16, 2023.
Publication History
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.213, no.287.
Provenance
Julius (Jay) Rosenthal Wolf (1929-1976), Class of 1951, New York, New York; bequeathed to present collection, 1976.
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