White Palma, Study

Jack Youngerman, American, 1926 - 2020

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1964

Acrylic on canvas

Overall: 23 × 28 in. (58.4 × 71.1 cm)

Hood Museum of Art, Dartmouth: Bequest of Jay R. Wolf, Class of 1951

P.976.177

Geography

Place Made: United States, North America

Period

20th century

Object Name

Painting

Research Area

Painting

Not on view

Inscriptions

Signed, dated, and inscribed, on reverse: Youngerman / White / study / Palma / Youngerman / White / study / Palma / 1964. Label on reverse: Betty parsons gallery 24 West 57th Street New York Jack Youngerman / White Study - Palma / 23 x 28 / 1964

Label

I am working for something organic and lyrical. I like the expressiveness of locked, meshed or tension-provoking shapes in opposition, a union in combat. --Jack Youngerman

Youngerman worked with dozens of drawings to combine and recombine bits of the observed world until the shapes were entirely invented. His imagined imagery has an uncanny resemblance to the visible world and his titles often reinforce this relationship. His approach differed significantly from his friend Ellsworth Kelly, who distilled samples of the observed world in his work. Youngerman rearranged and altered what he saw to create shapes that seem possible despite being invented by the artist.

From the 2023 exhibition The Painter's Hand: U.S. Abstraction since 1950, curated by John Stomberg, Virginia Rice Kelsey 1961s Director


Course History

Studio Art 25.01, Painting I, Daniele Genadry, Summer 2023

Philosophy 1.11, Art: True, Beautiful, Nasty, John Kulvicki, Summer 2023

Philosophy 1.11, Art: True, Beautiful, Nasty, John Kulvicki, Summer 2023

First Year Student Enrichment Program - Cultures, Identities and Belongings, Francine A'Ness, Summer 2023

Studio Art 15.04, Drawing I, Enrico Riley, Fall 2023

Studio Art 17.08, Digital Drawing, Karol Kawiaka, Fall 2023

Studio Art 25.01, Painting I, Jen Caine, Fall 2023

Writing 5.05, Image and Text, Becky Clark, Fall 2023

Writing 5.06, Image and Text, Becky Clark, Fall 2023

Exhibition History

Hopkins Center 25th Anniversary Exhibition: Artists-In-Residence at Dartmouth, Jaffe-Friede Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, March 12-May 22, 1988.

The Jay Wolf Bequest of Contemporary Art, Beaumont-May Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, June 24-August 28, 1977.

The Painter's Hand: U.S. Abstraction since 1950, William B. Jaffe and Evelyn A. Jaffe-Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 3-December 16, 2023.

Publication History

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.213, no.287.

Provenance

Julius (Jay) Rosenthal Wolf (1929-1976), Class of 1951, New York, New York; bequeathed to present collection, 1976.

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