Inscribed, on reverse, in black paint, upper left to right: "NO. 4 - IN HONOR OF MARTIN LUTHER KING / CHRISTOPHER / 1963
WGST 10, Sex, Gender, and Society, Francine A'Ness, Fall 2014
Main Lobby, in conjunction with the exhibition Witness: Art and Civil Rights in the Sixties, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 7-December 6, 2014.
Recent Paintings by William Christopher, Joan Peterson Gallery, Boston, Massachusetts, 1965.
William Christopher, Paintings, Collages, Drawings, Jaffe-Friede Gallery, Hopkins Center Museum and Gallery, Dartmouth College, Hanover, New Hampshire, November 5-28, 1965.
James O. Freedman, Presidential Range: Originals and Copies, Dartmouth Alumni Magazine, Summer 1991, p.12.
Hommage a la Femme Noire, Vol 5. Simone Schartz-Bart, Les Editions "Consulaires", 24 Rue Saint Gilles, 75004, Paris.
Justin Spring, American Art Magazine, An Interview with George Tooker, Spring 2002, Volume 16, number 1, Washington, D.C.: Smithsonian American Art Museum, March 2002, pp. 60-81, ill. p. 73.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.212, no.286.
Linden, Diana. "In Honor of Dr. Martin Luther King: Unmasking White Privilege in William Christopher's Paintings of 1963." American Art 33, no. 3 (2019).
The artist (1924-1973), Hartland, Vermont, 1963; given to present collection, 1965.
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