Signed, east wall (Panel 11): J. C. Orozco / Febrero 13, 1934
Public Art, Reserve Corridor, Baker-Berry Library, Dartmouth College, Hanover, New Hampshire, 1934.
series Mexican Art Abroad, Mexico: Grupo Azabache, September 1994.
Western American Literature, Quarterly Journal of the Western Literature Association, Summer 1998, Logan: Western American Literature and Utah University, 1998, ill. cover
Video series "Myths of Mankind", The Netherlands: Netherlands Public Television (AVRO), 1997.
The Art of Latin America, California: Pomegranate Publications, 1991, calendar for 1992
The Art of Latin America, California: Pomegranate Publications, 1991, 15 X 13 inch color reproduction in print portfolio comprised of eight works by Latin American artists.
Orozco's Masterpiece, Dartmouth Alumni Magazine, Special Issue, Dartmouth's Gifts to the World, April 1994, Hanover, N.H.: Dartmouth College, 1994, ill. p. 44
Michael R. Taylor and Gerald Auten, In Residence: Contemporary Artists at Dartmouth, Hanover, New Hampshire: Trustees of Dartmouth College, 2013, ill. p. 2, fig. 2
Master Works of Mexican Art in the World, Mexican Ministry of Foreign Affairs, Institute Matias Romero for Diplomatic Studies, 1993
Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, Stephen Polcari, Men of Fire, Jose Clemente Orozco and Jackson Pollock, Hanover: Trustees of Dartmouth College, 2012, ill. p.53; p. 25, fig.47.
Jose Clemente Orozco: Pintura y verdad, Jalisco, Mexico: Instituto Cultural Cabanas, 2010, pp.166-181, ill. p.172.
Jacquelynn Baas, Orozco: Violent Visions in a Silent Space, Berkeley Review of Latin American Studies, Spring 2008: University of California, Berkeley: Berkeley Center for Latin American Studies, 73 pp., ill. p. 36-37.
Gary H. Gossen, editor, South And Meso-American Native Spirituality: From the Cult of the Feathered Serpent to the Theology of Liberation; World Spirituality: An Encyclopedic History of the Religious Quest,Volume 4, New York: The Crossroad Publishing Company, 1993, ill. p. 7
Frederick Hartt, Art: A History of Painting, Sculpture, Architecture (with contributions by Nan Rosenthal), 4th edition, New York: Harry N. Abrams, Inc., 1993, pp. 1011-1012, ill. p. 1011
Elizabeth L. Langhorne, Jackson Pollock: Kunst als Sinnsuche: Abstraktion, All-Over, Action Painting, Wallerstein: Hawel-Verlag, 2013, 468 pp., ill. p. 40.
Editorial Clio, Orozco segun Orozco, (Video-in Spanish), Delagacion Coyoacan, Mexico: Editorial Clio, 1998, approx. 43 minutes.
Desmond Rochfort, Mexican Muralists: Orozco, Rivera, Siqueiros, Singapore: Laurence King Publishing, 1993, pp.99-119, ill. p. 104
Carlos Fuentes, The Buried Mirror: Reflections on Spain and the New World, Boston, New York, London: Houghton Mifflin Company, 1992, ill. p. 314.
C. L. R. James, Mariners, Renegades & Castaways: The Story of Herman Melville and the World We Live In, Hanover: University Press of New England, 2001, ill. cover.
Anthony W. Lee, Painting on the Left: Diego Rivera, radical politics, and San Francisco's public murals, Berkeley: University of California Press, 1999, ill. p 178, fig. 6.8
Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire, 1932.