Signed, east wall (Panel 11): J. C. Orozco / Febrero 13, 1934
Manton Foundation Annual Orozco Lecture: Jose Clemente Orozco and the Epic of ‘Greater America‘, Spring 2019
Public Art, Reserve Corridor, Baker-Berry Library, Dartmouth College, Hanover, New Hampshire, 1934.
Warren Carter, ed., Art after Empire: From Colonialism to Globalisation, Manchester: Manchester University Press in association with the Open University, 2018, pp. 84-89, ill. p. 87, fig. 2.24.
Master Works of Mexican Art in the World, Mexican Ministry of Foreign Affairs, Institute Matias Romero for Diplomatic Studies, 1993
Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, Stephen Polcari, Men of Fire, Jose Clemente Orozco and Jackson Pollock, Hanover: Trustees of Dartmouth College, 2012, ill. p.53; p. 32, fig. 59.
Margit Kern, Transkulturelle Imaginationen des Opfers in der Fruhen Neuzeit, Berlin: Deutscher Kunstverlag, Neue Grunstrabe 17, 468 pp., ill. p. 338.
Jose Clemente Orozco: Pintura y verdad, Jalisco, Mexico: Instituto Cultural Cabanas, 2010, pp.166-181, ill. p.176.
Editorial Clio, Orozco segun Orozco, (Video-in Spanish), Delagacion Coyoacan, Mexico: Editorial Clio, 1998, approx. 43 minutes.
Desmond Rochfort, Mexican Muralists: Orozco, Rivera, Siqueiros, Singapore: Laurence King Publishing, 1993, pp.99-119, ill. p. 109
David G. Wilkins, Bernard Schultz and Katheryn M. Linduff, Art Past and Present, 6th edition, London, UK: Prentice Hall, Laurence King Publishing Ltd., 2008, 655 pp., ill. p. 546
Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire, 1932.
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