Signed, east wall (Panel 11): J. C. Orozco / Febrero 13, 1934
Public Art, Reserve Corridor, Baker-Berry Library, Dartmouth College, Hanover, New Hampshire, 1934.
Margit Kern, Transkulturelle Imaginationen des Opfers in der Fruhen Neuzeit, Berlin: Deutscher Kunstverlag, Neue Grunstrabe 17, 468 pp., ill. p. 338.
Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, Stephen Polcari, Men of Fire, Jose Clemente Orozco and Jackson Pollock, Hanover: Trustees of Dartmouth College, 2012, ill. p.53; p. 32, fig. 59.
Jose Clemente Orozco: Pintura y verdad, Jalisco, Mexico: Instituto Cultural Cabanas, 2010, pp.166-181, ill. p.176.
David G. Wilkins, Bernard Schultz and Katheryn M. Linduff, Art Past and Present, 6th edition, London, UK: Prentice Hall, Laurence King Publishing Ltd., 2008, 655 pp., ill. p. 546
Editorial Clio, Orozco segun Orozco, (Video-in Spanish), Delagacion Coyoacan, Mexico: Editorial Clio, 1998, approx. 43 minutes.
Master Works of Mexican Art in the World, Mexican Ministry of Foreign Affairs, Institute Matias Romero for Diplomatic Studies, 1993
Desmond Rochfort, Mexican Muralists: Orozco, Rivera, Siqueiros, Singapore: Laurence King Publishing, 1993, pp.99-119, ill. p. 109
Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire, 1932.
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