The Epic of American Civilization: Hispano-America (Panel 14)

José Clemente Orozco, Mexican, 1883 - 1949




Overall: 120 × 119 in. (304.8 × 302.3 cm)

Hood Museum of Art, Dartmouth College: Commissioned by the Trustees of Dartmouth College



North America, Mexico


20th century

Object Name




On view


Signed, east wall (Panel 11): J. C. Orozco / Febrero 13, 1934

Course History

Manton Foundation Annual Orozco Lecture: Jose Clemente Orozco and the Epic of ‘Greater America‘, Spring 2019

Exhibition History

Public Art, Reserve Corridor, Baker-Berry Library, Dartmouth College, Hanover, New Hampshire, 1934.

Publication History

series Mexican Art Abroad, Mexico: Grupo Azabache, September 1994.

Warren Carter, ed., Art after Empire: From Colonialism to Globalisation, Manchester: Manchester University Press in association with the Open University, 2018, pp. 84-89, ill. p. 87, fig. 2.24.

The Past and Future of Mexican Democracy and Development, The Montgomery Endowment, POSTER & BROCHURE for panel discussion 13 Carpenter Hall, May 24, 1995

The Getty Conservation Institute, Mural Painting and Conservation in the Americas [Symposium Brochure], Los Angeles, California: Getty Publications, May 16-17, 2003, 6 pp., inside.

Silvia Spitta, Misplaced Objects, Migrating Collections and Recollections in Europe and the Americas, Austin: University of Texas Press, 2009, ill. p. 14, fig. 0.8.

Robert Pelfrey, Art and Mass Media, Dubuque: Kendall/Hunt Publishing Company, 1996, ill. p. 269

Robert J. Blake, Alicia Ramos, Martha A. Marks, Al corriente: curso intermedio de espanol, 3rd ed., Boston: McGraw-Hill, 1998, 428 p., ill.

Richard G. Tansey and Fred S. Kleiner, Gardner's Art Through the Ages, 10th ed., Fort Worth: Harcourt Brace College Publishers, c 1996, 1200 pp.1996

Ramyar Rossoukh (Class of 1996), Latino Resource Guide, Pegasus Press, 1994

Paul Bohannan, We, the Alien: An Introduction to Cultural Anthropology, Prospect Heights, Illinois: Waveland Press, Inc.,1992, ill. p. 209

Michael R. Taylor and Gerald Auten, In Residence: Contemporary Artists at Dartmouth, Hanover, New Hampshire: Trustees of Dartmouth College, 2013, ill. p. 14, fig. 21

Master Works of Mexican Art in the World, Mexican Ministry of Foreign Affairs, Institute Matias Romero for Diplomatic Studies, 1993

Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, Stephen Polcari, Men of Fire, Jose Clemente Orozco and Jackson Pollock, Hanover: Trustees of Dartmouth College, 2012, ill. p.53; p.26, fig. 51.

Mary Cooper, New England as America: Jose Clemente Orozco's Anglo-America, The Collegiate Journal of Art, Spring 2008, Volume IV, 2008, pp. 82-96, ill. p. 86.

Marta Rosso-O'Laughlin and Maria Gonzalez-Aguilar, Atando Cabos: Curso intermedio de espanol, 1st ed., Upper Saddle River, New Jersey: Prentice-Hall, Inc., 2001, ill. p. 216.

Marcus B. Burke, Mexican Art Masterpieces, Southport: Hugh Lauter Levin Associates, Inc., 1998, p. 86-87, ill. p. 87

Lois Fichner-Rathus, Understanding Art, fourth edition, Englewood Cliffs: Prentice Hall, 1995, ill. p. 24

Lois Fichner-Rathus, Understanding Art, fifth edition, Englewood Cliffs: Prentice Hall, 1998, ill. p. 23

Lois Fichner-Rathus, Understanding Art, Englewood Cliffs: Prentice-Hall, 1992

Lizzetta LeFalle-Collins and Shifra M. Goldman, In the Spirit of Resistance: African-American Modernists and the Mexican Muralist School, New York: The American Federation of Arts, 1996, ill. p. 103

Jose Clemente Orozco: Pintura y verdad, Jalisco, Mexico: Instituto Cultural Cabanas, 2010, pp.166-181, ill. p.174.

Johnson, Human Arrangements, 4/E, 1996

James Diego Vigil, From Indians to Chicanos: The dynamics of Mexican-American Culture, 2nd edition, Prospect Heights: Waveland Press, Inc., 1998, ill. p. 129

Hugh Honour & John Fleming, The Visual Arts, London: Calmann & King, 1995, ill. p. 755

Horst de la Croix, Richard G. Tansey, Diane Kirkpatrick, Gardner's Art Throught the Ages, ninth edition, Fort Worth (etc.): Harcourt, Brace, Jovanovich College Publishers, 1991, pp. 1025-1026, ill. p. 1025.

Grolier Enclyclopedia of Knowledge, Danbury: Grolier, Inc., 1991

Elizabeth L. Langhorne, Jackson Pollock: Kunst als Sinnsuche: Abstraktion, All-Over, Action Painting, Wallerstein: Hawel-Verlag, 2013, 468 pp., ill. p. 41.

Editors of Addison-Wesley, Building Bridges to Mathematics Activity Cards, Menlo Park, CA: Addison-Wesley Publishing Company, 1992

Editorial Clio, Orozco segun Orozco, (Video-in Spanish), Delagacion Coyoacan, Mexico: Editorial Clio, 1998, approx. 43 minutes.

Desmond Rochfort,


Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire, 1932.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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