Signed, east wall (Panel 11): J. C. Orozco / Febrero 13, 1934
Public Art, Reserve Corridor, Baker-Berry Library, Dartmouth College, Hanover, New Hampshire, 1934.
Michael R. Taylor and Gerald Auten, In Residence: Contemporary Artists at Dartmouth, Hanover, New Hampshire: Trustees of Dartmouth College, 2013, ill. p. 14, fig. 21
Elizabeth L. Langhorne, Jackson Pollock: Kunst als Sinnsuche: Abstraktion, All-Over, Action Painting, Wallerstein: Hawel-Verlag, 2013, 468 pp., ill. p. 41.
Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, Stephen Polcari, Men of Fire, Jose Clemente Orozco and Jackson Pollock, Hanover: Trustees of Dartmouth College, 2012, ill. p.52
Jose Clemente Orozco: Pintura y verdad, Jalisco, Mexico: Instituto Cultural Cabanas, 2010, pp.166-181, ill. p.174.
David McCarthy, Art Journal, Volume 69, Number 3, New York, NY: College Art Association, 2010, ill. p. 29.
Mary Cooper, New England as America: Jose Clemente Orozco's Anglo-America, The Collegiate Journal of Art, Spring 2008, Volume IV, 2008, pp. 82-96, ill. p. 85.
Editorial Clio, Orozco segun Orozco, (Video-in Spanish), Delagacion Coyoacan, Mexico: Editorial Clio, 1998, approx. 43 minutes.
David G. Winter, Personality: Analysis and Interpretation of Lives, New York, NY: McGraw-Hill, c1996., 1 vol.
Professor Senzoku, Expressions of New History of World Art Series, Volume 26, Tokyo: Shogakukan Inc., 1995, ill. p.351, plate 197
series Mexican Art Abroad, Mexico: Grupo Azabache, September 1994.
Master Works of Mexican Art in the World, Mexican Ministry of Foreign Affairs, Institute Matias Romero for Diplomatic Studies, 1993
Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire, 1932.
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