"Saint Agnes" Manderson, S.D. Pine Ridge Rez

Arthur Amiotte (Wanblí Ta Hócoka Washté), Oglala Lakota / American, born 1942
Oglala Lakota
Lakota (Teton Sioux)
Central Plains
Plains

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2001

Acrylic and collage on canvas

Overall: 24 × 29 15/16 in. (61 × 76.1 cm)

Frame: 29 3/4 × 35 13/16 in. (75.5 × 91 cm)

Hood Museum of Art, Dartmouth: Purchased through the Phyllis and Bertram Geller 1937 Memorial Fund

© Arthur Amiotte

MIS.2004.36

Geography

Place Made: United States, North America

Period

21st century

Object Name

Mixed Media

Research Area

Native American

Native American: Plains

Mixed Media

Not on view

Inscriptions

Signed and inscribed, on collaged piece of ledger paper, lower right: [in black ink over graphite] Many generations / knew St. Agnes / in many ways / [in yellow paint] Amiotte 2001 c[circled]; inscribed, in image, upper right: Day School at Manderson

Course History

NAS 8, Perspectives in Native American Studies, Vera Palmer, Fall 2012

NAS 8, Perspectives in Native American Studies, Vera Palmer, Spring 2012

SART 17, Collage, Esme Thompson, Fall 2012

WRIT 5, The View from the Balcony: Learning How You Learn, Prudence Merton, Winter 2013

NAS 8, Perspectives in Native American Studies, Vera Palmer, Spring 2013

NAS 8, Perspectives in Native American Studies, Vera Palmer, Spring 2013

NAS 30.1, ARTH 17, Modern Native American Art History, Joyce Szabo, Summer 2013

FILM 47, Cut & Paste Cinema, Jodie Mack, Winter 2012

SART 17, Collage: Bridging the Gap, Esme Thompson, Fall 2013

NAS 8, Perspectives in Native American Studies, Vera Palmer, Spring 2014

NAS 8, Perspectives in Native American Studies, Vera Palmer, Spring 2014

NAS 8, Perspectives in Native American Studies, Vera Palmer, Fall 2014

NAS 8, Perspectives in Native American Studies, Vera Palmer, Fall 2014

SART 30, SART 75, Photography II and III, Virginia Beahan, Spring 2019

FILM 44.02/SART 17.19, Cut and Paste Cinema, Jodie Mack, Spring 2019

Exhibition History

Arthur Amiotte: Collages 1988-2006, Wheelwright Museum of the American Indian, Santa Fe, New Mexico, November 19, 2006-April 29, 2007.

Contemporary Native American Ledger Art: Drawing on Tradition, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 14-December 19, 2010.

Native American Art at Dartmouth: Highlights from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 8, 2011-March 12, 2012.

Perspectives: Native American Art from the Hood Museum of Art's Collection, Perspective in Native Studies, NAS 8, Spring 2014, Vera Palmer, Teaching Exhibition, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 24-June 16, 2014.

Picturing Change: The Impact of Ledger Drawing on Native American Art, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 11, 2004-May 15, 2005.

This Land: American Engagement with the Natural World, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth, Hanover, New Hampshire, January 5–April 18, 2022.

Publication History

Janet Catherine Berlo, Arthur Amiotte Collages 1988-2006, Santa Fe, New Mexico: Wheelwright Museum of the American Indian, ill. cat no. 42.

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.147, no.121.

Cultural Survival Quarterly, Spring 2011, Volume 35, Issue 1, Cambridge, MA: Cultural Survival, 2011, p. 27.

Provenance

The artist; Custer, South Dakota; sold to present collection, 2004.

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