The Exits (Les Sorties)

Alexander Calder, American, 1898 - 1976

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1931

Pen and black ink on wove (L.L.F.) paper

Sheet: 22 3/4 × 30 7/8 in. (57.8 × 78.5 cm)

Hood Museum of Art, Dartmouth: Gift of Peter A. Rubel, Tuck 1938

© Calder Foundation, New York / Artists Rights Society (ARS), New York

D.965.61

Geography

Place Made: United States, North America

Period

20th century

Object Name

Drawing

Research Area

Drawing

Not on view

Inscriptions

Signed and dated, lower right: calder / 1931; inscribed twice, upper left and upper right: SORTIE; Watermark: lower left: L.L.F. FRANCE

Exhibition History

Art of the 1930's, Rivier College Art Gallery, Nashua, New Hampshire, (no cat.), September 25-October 14, 1983.

Calder: Circus, Ink Drawings, 1931-1932, Perls Galleries, New York, New York, 1964.

Director's Choice, Jaffe-Friede Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, (no cat. no.), June 10-July 10, 1966.

Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 29-May 29, 2005; Grand Rapids Art Museum, Grand Rapids, Michigan, June 24-September 11, 2005; National Academy Museum, New York City, New York, October 20-December 31, 2005.

Perception and Belief, Outreach Program, Dartmouth College, Hanover, New Hampshire, October-November 1982.

Works on Paper: Nineteenth and Twentieth Century Drawings and Watercolors from the Dartmouth College Collection, Carpenter Galleries, Dartmouth College, Hanover, New Hampshire, no. 44, May 30-September 21, 1975.

Publication History

Franklin W. Robinson, [et al.], Works on Paper: Nineteenth and Twentieth Century Drawings and Watercolors from the Dartmouth College Collection, Hanover, N.H.: Trustees of Dartmouth College, 1975, pp. 62-63.

Barbara J. MacAdam, Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Manchester, Vermont: Hudson Hills Press, 2005, pp. 25, 162, 266, ill. p. 163, no. 50.

Provenance

The artist; consigned to Perls Galleries, New York, 19sold to Peter Alexander Rubel, Connecticut, 1964; given to present collection, 1965.

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