Signed, in ink, upper right: Linda Haukaas . 2003; inscribed, in ink, upper left: Manly Heart Woman Stealing Back Horses; stamped, upper left edge: 253; inscribed, beneath drawing, in ink, lower left edge: Chas_ H Cutting. / 1894 / [4 columns of ledger entries which continue across bottom half of paper, beneath drawing]
NAS 30.19, Indigistory, Gordon Henry, Fall 2019
NAS 30.2, ARTH 16, Plains Ledger Drawings and Their Complexities, Joyce Szabo, Summer 2013
Portrait of the Artist as an Indian / Portrait of the Indian as an Artist, Harteveldt Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-July 15, 2019.
Picturing Change: The Impact of Ledger Drawing on Native American Art, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 11, 2004-May 15, 2005.
Contemporary Native American Ledger Art: Drawing on Tradition, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 14-December 19, 2010.
John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 50, ill. fig. 8.3.
Colin G. Calloway, Editor, Ledger Narratives, The Plains Indian Drawings of the Lansburgh Collection at Dartmouth College, Norman: University of Oklahoma Press (published in cooperation with the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire), 2012, p. 198, figure 4.8.
The artist; Price-Dewey Galleries, Ltd., Santa Fe, New Mexico; sold to present collection, 2004.
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.
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