A Distant Holla (Chapter 1)

Label

Tucked in the far-left corner, a small painting of a red rooster references a nursery rhyme often recited by the artist’s parents: “Good morning captain rooster, I’ve come to borrow your wings, to fly across the ocean, to hear Miss Lucy sing.” This rooster represents spiritual linkages between Black people living in diaspora and the African continent.

According to the artist, the idea of flying over the Atlantic emphasizes the infinite possibilities of Black people “accessing all of the energies we still have and may not even know we have.” These energies coalesce with four small glass jars arranged in the shape of a cross. One contains water, representing life and spiritual cleansing. For Minter, these vessels and containers represent spaces of safe keeping, “Ever since we have been here, everything that we have was meant to be taken, even our bodies. To have places to keep things, to hold things, that’s how we survive.”

From the 2023 exhibition Liquidity: Art, Commodities, and Water, curated by Michael Hartman, Jonathan Little Cohen Associate Curator of American Art

Course History

First Year Student Enrichment Program - Cultures, Identities and Belongings, Francine A'Ness, Summer 2023

Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Fall 2023

Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Fall 2023

Art History 40.01, American Art and Identity, Mary Coffey, Fall 2023

Creative Writing 10.02, Writing and Reading Fiction, Katherine Crouch, Fall 2023

Geography 11.01, Qualitative Methods, Emma Colven, Fall 2023

Geography 2.01, Introduction to Human Geography, Coleen Fox, Fall 2023

Geography 31.01, Postcolonial Geographies, Erin Collins, Fall 2023

English 30.01, African and African American Studies 34.01, Early Black American LIterature, Michael Chaney, Winter 2024

Writing 5.06, Image and Text, Becky Clark, Winter 2024

Writing 5.07, Image and Text, Becky Clark, Winter 2024

Exhibition History

Liquidity: Art, Commodities, and Water, Israel Sack Gallery and the Rush Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 29, 2023-November 24, 2024.

Provenance

Judy and Noah Liff Foundation, Nashville, Tennessee; sold to present collection, 2022.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu