Untitled (River Landscape near Chicago)

James Bolivar Needham, American (born Canada), 1850 - 1931

Share

1898

Oil on canvas mounted on panel

Overall: 12 × 8 1/2 in. (30.5 × 21.6 cm)

Frame: 17 1/4 × 13 5/8 in. (43.8 × 34.6 cm)

Hood Museum of Art, Dartmouth: Purchased through the Miriam H. and S. Sidney Stoneman Acquisition Fund

2022.5

Geography

Place Made: United States, North America

Period

19th century

Object Name

Painting

Research Area

Painting

On view

Label

Heavily layered and quickly applied paint suggests that James Bolivar Needham painted this Chicago River scene from life, as does the painting’s small size at just 12 x 8 inches. On the reverse, Needham inscribed the date—September 3, 1898. On this day, weather forecasters reported temperatures topping 92 degrees. The heatsuggests why Needham sought respite away from one of Chicago’s notoriously smelly and polluted waterways.Needham was one of the earliest known Black artists working in Chicago. He exhibited throughout the1890s and reporters lauded his ability to find beauty“in the mud” of Chicago’s rivers. Amid increasing industrialization at the end of the nineteenth century, Needham embraced an impressionist style to obscurea rapidly changing cityscape.

From the 2023 exhibition Liquidity: Art, Commodities, and Water, curated by Michael Hartman, Jonathan Little Cohen Associate Curator of American Art

Course History

Geography 7.02, Into the Wild, Coleen Fox, Spring 2023

First Year Student Enrichment Program - Cultures, Identities and Belongings, Francine A'Ness, Summer 2023

Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Fall 2023

Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Fall 2023

Art History 40.01, American Art and Identity, Mary Coffey, Fall 2023

Creative Writing 10.02, Writing and Reading Fiction, Katherine Crouch, Fall 2023

Geography 11.01, Qualitative Methods, Emma Colven, Fall 2023

Geography 2.01, Introduction to Human Geography, Coleen Fox, Fall 2023

Geography 31.01, Postcolonial Geographies, Erin Collins, Fall 2023

English 30.01, African and African American Studies 34.01, Early Black American LIterature, Michael Chaney, Winter 2024

Writing 5.06, Image and Text, Becky Clark, Winter 2024

Writing 5.07, Image and Text, Becky Clark, Winter 2024

Geography 7.20, Into the Wild, Coleen Fox, Spring 2024

Exhibition History

Liquidity: Art, Commodities, and Water, Israel Sack Gallery and the Rush Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 29, 2023-November 24, 2024.

Provenance

Aaron Galleries, Chicago, Illinois, late 1990s; to Harlan J. Berk, Chicago, Illinois; to Richard Norton Gallery, Chicago; sold to present collection, 2022.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu