American Diastrophism
Diego Romero, Cochiti Pueblo / American, born 1964
2020
Lithograph
12/20
Overall: 26 1/2 × 24 in. (67.3 × 61 cm)
Hood Museum of Art, Dartmouth: Purchased through the Acquisition and Preservation of Native American Art Fund
2021.50.1
Geography
Place Made: United States, North America
Period
21st century
Object Name
Research Area
Native American: Southwest
Native American
Not on view
Label
In each of these works, the artists use iconic Pop and comic book imagery to intrigue their viewers. Jason Garcia creates comic book–like scenes of traditional Pueblo life; his innovative technique of storytelling on ceramic tiles diverges from the more common vessel shapes of Pueblo pottery. In Tewa Tales of Suspense! Priest Killer, a Pueblo warrior holds the head of a monk—referencing the Pueblo Revolt against Spanish colonizers in 1680. Diego Romero’s print draws our attention to issues of extraction through the depiction of militarized police confronting a water protector. Despite its modern decoration, Tammy Garcia’s canteen with redware elements was made using traditional pottery techniques: it is coil built, carved, and polished with traditional clay slips. I am building in clay vessels that resemble glass bottles. This is the "Pop Bottle." In pop culture, attitudes can be seen in an image through facial expression, as in a Roy Lichtenstein painting. I am fascinated how one word, like, "POW," along with an image, can tell a story. Words have become an important part of my design and the exploration of that has just begun ! —Tammy Garcia From the 2022 exhibition Unbroken: Native American Ceramics, Sculpture, and Design, curated by Dillen Peace '19, Native American Art Intern and Sháńdíín Brown '20, Native American Art Intern
Exhibition History
Unbroken: Native American Ceramics, Sculpture, and Design, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 11-November 15, 2022.
Provenance
Shiprock Sante Fe, Santa Fe, New Mexico; sold to present collection, 2021.
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