Inscribed, upper right, in black marker: San Juan / Bautista
In his Retablos series, Ruben Olguin borrows from the Spanish colonial tradition of retablo painting, popularized through the spread of Catholicism in what is currently known as Mexico. Whereas traditional retablos are devotional paintings commonly depicting Christ, the Virgin Mary, or a holy saint, Olguin complicates these forms by instead mapping Indigenous territories and waterways onto the surface.
In these retablos, Olguin maps the site of three Spanish missions in the regions now called California and Mexico, questioning the legitimacy of national and state borders established through colonialism and foregrounding those whose homelands were drastically altered by non-Indigenous settlement.
From the 2021 exhibition Form & Relation: Contemporary Native Ceramics, curated by Jami C. Powell, Curator of Indigenous Art and Morgan E. Freeman, DAMLI Native American Art Fellow
ANTH 11/NAS 11, Ancient Native Americans, Madeleine McLeester, Fall 2020
PORT 8, Brazilian Portraits, Carlos Cortez Minchillo, Winter 2021
LACS 22.11, Latinx Intergenerational Literature, Marcela di Blasi, Spring 2021
ANTH 18, Research Methods in Anthropology, Chelsey Kivland, Summer 2021
ANTH 55, Anthropology of Global Health, Anne Sosin, Spring 2021
ANTH 3.01, Introduction to Cultural Anthropology, Sienna Craig, Winter 2022
Form & Relation: Contemporary Native Ceramics, Citrin Family Gallery, Hood Museum of Art, Dartmouth, Hanover, New Hampshire, January 6, 2021–July 23, 2022.
The artist, Ruben Olguin, Albuquerque, New Mexico; sold to present collection, 2020.
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