San Juan Bautista

Ruben Olguin, Mestizo / American, born 1983

Share

2019

Wood, wire lathe, adobe, hand-foraged clay, reclaimed tin, leather

Overall: 15 1/4 × 11 7/16 × 2 3/16 in. (38.7 × 29 × 5.5 cm)

Hood Museum of Art, Dartmouth: Purchased through the Acquisitions and Preservation of Native American Art Fund

2020.22.8

Geography

Place Made: United States, North America

Period

21st century

Object Name

Mixed Media

Research Area

Native American

Native American: Southwest

Mixed Media

Not on view

Inscriptions

Inscribed, upper right, in black marker: San Juan / Bautista

Label

In his Retablos series, Ruben Olguin borrows from the Spanish colonial tradition of retablo painting, popularized through the spread of Catholicism in what is currently known as Mexico. Whereas traditional retablos are devotional paintings commonly depicting Christ, the Virgin Mary, or a holy saint, Olguin complicates these forms by instead mapping Indigenous territories and waterways onto the surface.

In these retablos, Olguin maps the site of three Spanish missions in the regions now called California and Mexico, questioning the legitimacy of national and state borders established through colonialism and foregrounding those whose homelands were drastically altered by non-Indigenous settlement.

From the 2021 exhibition Form & Relation: Contemporary Native Ceramics, curated by Jami C. Powell, Curator of Indigenous Art and Morgan E. Freeman, DAMLI Native American Art Fellow

Course History

ANTH 11/NAS 11, Ancient Native Americans, Madeleine McLeester, Fall 2020

PORT 8, Brazilian Portraits, Carlos Cortez Minchillo, Winter 2021

LACS 22.11, Latinx Intergenerational Literature, Marcela di Blasi, Spring 2021

ANTH 18, Research Methods in Anthropology, Chelsey Kivland, Summer 2021

ANTH 55, Anthropology of Global Health, Anne Sosin, Spring 2021

ANTH 3.01, Introduction to Cultural Anthropology, Sienna Craig, Winter 2022

Exhibition History

Form & Relation: Contemporary Native Ceramics, Citrin Family Gallery, Hood Museum of Art, Dartmouth, Hanover, New Hampshire, January 6, 2021–July 23, 2022.

Provenance

The artist, Ruben Olguin, Albuquerque, New Mexico; sold to present collection, 2020.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu